(Series 20, ep. 46 ‘Report to the Mirror, Part Two’ by Andy Bayliss 13.11.18) This week’s review is over at Metro as usual. A few additional thoughts:
– This episode went total body-horror, with Jac having the awful and full knowledge that to get the dreaded implant out of her she had to place her life in the hands of a man she knew she couldn’t trust at all. It’s scary enough having surgery when you know the surgeon is sane and competent and has your best interests at heart, but Gaskell? Yikes. And you could see all of that playing across Jac’s face coupled with the absolute determination that she had no alternative.
– The sight of Lana’s body with open wounds in Gaskell’s lab was one of the most disturbing things I’ve ever seen on Holby. I loved how for a few seconds Ric and Sacha couldn’t quite comprehend what they were seeing either. It was absolutely horrific.
– The line of the episode for me was the Professor saying that Essie was ‘lying down in a cold, dark room.’ If Hanssen hadn’t immediately chipped in to say that she had a headache, would other people have picked up on just how sinister that sounded?
– The showdown at the lake was quite epic. I liked the hallucinatory bits where Hanssen thought Gaskell was on the bank with him rather than being in the water. Hanssen’s struggle to overcome the effects of the neurotoxin and stay with reality was mirrored by his struggle to understand the full extent of what Gaskell had been doing – particularly when he realised that Gaskell had killed Roxanna.
– This whole storyline has been ambitious and brilliantly done. Gaskell was a bit sinister right from the get-go, but never went full mwah-hah-hah until right at the end. It’s been gruelling, though. Hopefully there’ll be some lighter storylines coming up in the run-up to Christmas. After all this (admittedly brilliant) drama and horror we could do with a bit of sparkle, some romance, and a very large glass of Shiraz.
(Series 20, ep. 45 ‘Report to the Mirror, Part One’ by Andy Bayliss 6.11.18) As usual, you can see my full review of the episode over at Metro. I do have a couple of extra thoughts though, before you go.
– Jac’s description of her implant, ‘It cracks, it creaks… it throbs and it pulses.’ How on earth has she concentrated on surgery and stuff with all that going on inside her? Yikes.
– Abigail Tate disappeared without much ceremony, didn’t she? So Henrik Hanssen, the former CEO who’s still suffering all types of post-traumatic stress, takes it upon himself to pick up his old job where he left off. This is what moral compasses do. I hope he restores his office decor back to its former serene splendour ASAP though.
– Wasn’t Sacha lovely with Zav’s mum? Isn’t Sacha lovely generally? The world needs to Be More Sacha.
– It looks like the Gaskell story is coming to a huge climax next week (clip here). Will we be left with a Mr Nasty vacuum after that? Is that why Selfie’s coming back, to plug the villain gap?
(Series 20, ep. 41 ‘The Three Musketeers’ by Joe Ainsworth 9.10.18) For a full review of this episode, head over to Metro. Before you go, a few additional points:
– What a brilliant bit of acting from Marcus Griffiths as Xavier sat in the Linden Cullen Temple of Anguish (AKA the multi-faith room/prayer room/whatever). Holby actors seem to be very good at crying on demand. It must make them very tricky to live with.
– It was a nice outcome to find that Reg didn’t have dementia and wasn’t being beaten up by Alex, but had a treatable condition after all. Maybe he’ll get well enough to become a porter.
– Hanssen is holding himself together well, but Guy Henry is such a superbly subtle actor that you can see the emotion just under the surface. He’s channelling his love for Roxanna into caring for Gaskell, and when and if the story fully comes out about what he’s been up to – well, it’ll be a double blow and I honestly don’t know how Hanssen will start to cope with that.
– There’s definitely chemistry between Donna and Xavier. Is he the kind of man who’d be happy to have a girlfriend with two children, though? He’s always seemed a bit of a player, so we’ll have to see.
– There’s been a mixed reaction to Leah’s pursuit of Serena, and I can see why. If you’re very invested in the Berena relationship then it’s not easy to think of Serena even contemplating anyone else. Quite possibly she’s going to carry on rejecting Leah and be happy with her long-distance love, but it’s interesting to see her being tested. It also made for some very funny scenes, especially when Ric and Serena were inside the office and Leah was outside, fully aware that Serena was listening to everything she was saying.
– Scary Sue needs to be a regular character. Sometimes new people arrive on Holby and it takes a little while to work out who they are as characters. I feel like we already know Sue, thanks to the way the writers have brought her in and Angela Lonsdale’s funny, clever portrayal of her. And of course you can never have too many Sues.
The greatest gift of all (Picture: BBC)
(Series 20, ep. 40 ‘Inscrutable’ by Tony Higgins 2.10.18) Pop over to Metro for this week’s full review and a little extra piece about Jac and Sacha. Before you go, a few additional thoughts…
– I was so excited when Bob Barrett told me that Sacha was going to be moving in with Jac, because it was something both he and Rosie Marcel talked about when I met them last year for the Holby book. It seemed like quite a random idea at the time, but in the context of Sacha’s mental health problems (and Jac’s physical health problems) it really works. Jac really is kind when good friends need help – such as when she secretly financed Professor Hope’s Kibo project.
– I hope Scary Sue from ITU is going to be a regular character. As well as her having a brilliant name (obvs), I really liked her over-sharing northern personality.
– I liked Leah, too. Berena fans are possibly not best pleased at someone making a move on Serena, but Serena has always been a woman with needs. She’s resisting so far, but will her resolve be as strong come Christmas party time? I like that Leah has come to medicine a few years later on in life, so she’ll have a different angle on things from the usual F1s.
– Once again Hiran Abeysekera was really touching as Tyler, and his scenes with Bob Barrett were lovely.
– Hanssen kissing Roxanna’s hand! So absolutely heartbreaking.
– I knew Essie would blame herself for overdoing it with the alphabet board. I bet the Prof is happy he planted that little seed. Essie’s no fool, though, and once Meena and Hanssen have recovered a little, everyone is going to start joining the dots. I hope.
(Series 20, ep. 39 ‘Undoing’ by Nick Fisher 25.9.18) Head over to Metro for a full review of this episode, but before you go here are a few additional thoughts.
– Just when you think the Gaskell storyline can’t get any darker and more twisted, it gets darker and more twisted. Paul McGann has been genuinely terrifying in the last few episodes, as Gaskell has shown he’ll go to any lengths to carry on his research. It’s like there’s a ligature in his own head that shuts off any compassion and empathy that might risk diverting him from his path.
– I’m going to miss Roxanna. I liked her as a character and Hermione Gulliford as an actress. I’m sad that Roxanna never had the chance to go out for a night on the Shiraz with Serena because she always had something else to worry about. From spending weeks frowning at Oliver Valentine trying to will him to recover, to spending weeks frowning at Professor Gaskell, she’s never had a chance to relax.
– Of course Hanssen is going to miss her the most. His line in this episode, ‘I can’t lose anyone else, John,’ shows us that he’s really going to struggle to cope. Maybe Sacha and Frieda can invite him to join Holby Fight Club?
– Fletch really needs to sort his children out. It just isn’t on to have them wandering around the hospital all day long, even though I do enjoy seeing them.
– I loved Jac and Frieda giving Fletch advice about how to handle his teenage daughter. Though I can’t imagine that either of them was exactly what you’d call an average teenage girl.
– Frieda looked amazing in her boxing gear and I think they should rush out an action figure of her in time for Christmas. She’d be an excellent role model for all the un-average teenage girls. And boys.
– It’s lovely to have Sacha back and it’s very nice that he’s got a new hobby. I wonder if being in the basement gives him flashbacks to when he had a room there full of all the stuff that Chrissie didn’t want him to have hanging around at home?
(Series 20, ep. 38 ‘One Man and His God’ by Andy Bayliss 18.9.18) I’ve written a nice long review of this episode over at Metro, but before you go to have a look here are some additional thoughts.
– The ending was just about the most twisted, terrifying thing I’ve ever seen on Holby. The idea of deliberately leaving someone in a ‘locked in’ state (especially as we knew that Roxanna’s mother had already experienced that) – well, even the most seasoned Gaskell-watcher will have been shocked at just how far his drive to succeed has pushed him.
– We’ve had murderous people on the wards of Holby before (Nurse ‘Killer’ Kelly Yorke in series 5/6; Hanssen’s son last year), but Gaskell is an entirely different kettle of fish. The scary thing about Gaskell is that he truly believes he’s only one step away from the next great medical breakthrough. He takes no pleasure in people being hurt or dying, but at the same time he views anyone who suffers during the course of his experiments to be collateral damage. The bigger picture is all he cares about.
– I loved the flashback scenes. Young Gaskell, Hanssen and Roxanna were perfectly cast and played their parts brilliantly, and Andy Bayliss’s script filled in plenty of blanks about each of them in a subtle and moving way. I also liked how the different sets of flashbacks were in the minds of each of the three older characters, so each one had a slightly different focus.
– Scenes between Hanssen and Dominic have become as precious and lovely as scenes between Jac and Sacha. It’s a similar dynamic – a closed-off, apparently cold person and someone who is expressive and emotionally open who sees them for who they really are.
– Gaskell’s last words to Roxanna – ‘forgive me’ – were chilling. I honestly doubt she’s going to be forgiving him any time soon, even if he ‘fesses up and sorts out the mess he’s left inside her head (if that’s even possible).
(Series 20, ep. 37 ‘All Lies Lead to the Truth’ by Robert Goldsbrough 11.9.18) This week’s review can be found over at Metro. Before you go, here are some random musings about the episode.
– Is Meena’s new car cursed? She’s had a terrible time ever since she got it, with a miserable birthday followed by a Boxing Birthday (or is it just my house where we have those?) in which she reverses into Serena’s car and later on knocks down a fleeing neurosurgeon. If I was Meena, I’d be getting that car swapped for something a little less haunted, ASAP.
– I thought Roxanna’s spying on Gaskell was really suspenseful. The bit where she was snooping around the wet lab and he was walking along the corridor was scary. I’m still not sure how she got out. Did she find a secret back door? Or had she gone out of the front door before Gaskell turned the corner?
– And then when she revealed to him what she knew and he turned the tables by trying to tell her that she wasn’t well. Will she wake up and manage to tell Hanssen what she knows before Gaskell can go any further? Or is the staff member with the best quiff since Fletch already destined to be a commemorative plaque in the Linden Cullen Memorial Shrubbery? Continue reading