(Series 20, ep. 3 ‘There by the Grace of…’ by Elliot Hope and Johanne McAndrew 16.1.18) Many years ago I used to work with people who had physical disabilities. I think it says a huge amount about James Anderson’s well-observed, thoughtful acting that, in this episode, Ollie reminded me really strongly of a man I worked with who was disabled after a head injury – the speech patterns, the mannerisms – and I hadn’t thought about that man for years.
For plot reasons, Ollie was on AAU this week. Roxanna thought it would be helpful for him to have the stimulus of being surrounded by people barfing on other people’s shoes all day long, but just in case it was too much he was popped into a side room and the staff were told not to get him over excited. Continue reading
(Series 32, ep. 20 by Matthew Barry and Kelly Jones 13.1.18) If there was one thing that was going to tempt me back to Casualty after not watching it for I don’t know how long, it was the promise of seeing Dr Zoe Hanna again.
And there she was in all her magnificence, scrunching a ciggie out with her unfeasibly high, unfeasibly pointy shoe and slathering herself in Chanel No. 5. Max smelled her before he saw her – the cigarettes and Chanel combo that he knows and loves.
But did he love it, or even love her? He made every effort during the episode to pretend he didn’t, and even went so far as to lend her a pen so she could sign their divorce papers. Continue reading
Guest post by Hannah Yates
(Series 21 ep. 1 ‘Moment of Surrender’ by Ed Whitmore) This episode was exactly what we needed to ease Nikki back into the Lyell and for us viewers to ease into a new series and fully understand what was going on without having a migraine. I am joking, of course.
The episode started with a creepy house in woods where a family were on holiday, as all good murder stories should start. This was followed by the angry father grabbing a knife and shouting at some kids in creepy masks outside to match the setting. We don’t actually see what happens because this is where the new theme tune kicks in. It’s as though they know the viewers aren’t going to be happy with the theme tune change, as they follow this up with scenes of Jack in a tightly-fitting t-shirt. Less nice is the fact that Nikki is still having flashbacks and hunky Jack isn’t answering her calls. As we find out later, he feels guilty that he wasn’t the one to find Nikki and can’t deal with her being back or in fact looking at her, or talking to her, so much so that he misses various pieces of evidence. I personally feel like this episode is setting them up as a potential couple, although if you have taken a look at spoilers for future episodes, you’ll have seen that Nikki is due to have yet another love-interest this series – we’re taking votes now on whether this one is either a bad guy or will be dead by the end of the two-parter he arrives in. Continue reading
(Series 20, ep. 2 ‘Ready Or Not’ by Robert Goldsbrough 9.1.18) When we left Ric Griffin surrounded by violent thugs at the end of the last episode, I wondered whether we’d next see him at Holby as a patient. Instead, we saw this week that he had been badly injured, but not as badly as fellow inmate Danny (Gruffudd Glyn), who was brought in to AAU in a bit of a mess.
Danny passed a message to Sacha that Ric didn’t want Donna going to the prison, so Sacha got Fletch to ask her to work overtime. Then Sacha went to the prison on his own.
Sacha is full of compassion and kindness, but he doesn’t have the same level of street-smarts as Ric does. Ric is just about surviving in the prison because he knows it’s best to keep your head down and your mouth shut. When Sacha discovered that Ric had been beaten up, he had to do something to help. Continue reading
(Series 20, ep. 1 ‘The Prisoner’ by Ed Sellek 2.1.18) This stand-alone episode dealt with four days in the life of Ric Griffin, in prison on remand following his assault on Jeremy Warren, and Oliver Valentine, returning to the word after being in a coma since being shot in the head.
Ric might have a posh voice and an air of refinement, but he has great intelligence, a boxer’s instincts and he’s seen a bit of the world. While prison obviously came as a huge culture shock for him, he navigated prison politics quite well. When he was befriended by a prisoner called Dillon (played by the brilliantly named Chord Melodic), it took him a little while to realise that Dillon had an agenda – he wanted Ric to use his medical contacts in the outside world to get drugs into the prison. As soon as he’d worked out what was what, Ric refused to have any part of the scheme – with the result that he’s now a marked man. Indeed he’s possibly literally marked by now, because when we last saw him he was surrounded by Dillon’s thugs in the prison yard. Continue reading
(Series 19, ep. 63 ‘We Need To Talk About Fredrik’ by Patrick Homes 12.12.17) Three weeks have passed in Holby time since the events shown last week. The funerals of Raf, Fredrik and David have already happened (Fredrik in Stockholm, without Hanssen’s attendance) and the process of rebuilding has started.
Rebuilding lives shattered by recent events is not going to be quick or easy – we saw with the death of Digby that Holby takes the aftermath of huge events seriously and I expect the repercussions of the shooting will be felt for a long time.
Rebuilding staff numbers is simpler and came courtesy of The Mythical St Francis’s. Remember it’s merging with Holby? Three new doctors – or rather, two new doctors and one old friend – chose this week to merge in Holby’s direction. Continue reading