When you hear the words ‘boot camp’ you envisage bloodied, muddied, exhausted bodies staggering to a finish line. Something at the very least to stretch you. Back in the halcyon days of X Factor, when Simon still had passing acquaintance with a razor and Sharon looked older than she does now, I seem to remember they did about three challenges; numbers being whittled down painfully and agonisingly before the weary survivors learned their fate on a grand stage reminiscent of A Chorus Line. Now they had a right royal knees-up on Friday night on Cowell’s dollar, then the next day performed one song that they chose from a wide selection. Continue reading
Author Archives: MaggieGW
British comedies with a central female character usually fall into two camps. If she is young, she must be impossibly cute and winsome; the main premise being her woeful love life, her quest to get hitched, or her attempts to have a baby. If she is older, it’s possibly all of the former, but more likely her status within her family, her juggling of her exceedingly busy life, or her illicit affair with Roger from Number 36. What drew me to the five-parter ‘Love, Nina’ was that it was less about her traditional role as female and more about a young person coming of age in London in the early eighties, working as a nanny for an eccentric family.
Faye Marsay was the titular heroine, a fairly under the radar actress, who will no doubt pop up more in the future. Cute, but not impossibly so, she captured that sense of gangling awkwardness of the just turned twenty but still feeling like a little girl and not quite knowing how to be grown-up. Padding barefoot between the supermarket, her yoga class and her almost-boyfriend Nunney’s house while trying to fathom her place in the brave new world she found herself in was captivating. She often puts her bare foot in it, frequently embarrassing herself, or acting thoughtlessly, but still very endearing. Continue reading
I was in two minds as to whether to watch ‘The Durrells’. I read ‘My Family and Other Animals’ for the first time when I was about eleven and regard it as an exceptional work, parts of it still reduce me to helpless laughter. Like meeting your heroes, a misjudged adaptation can sour the original, especially if it’s on ITV, which recently gave us the mangled Dr Thorne.
Happily I can report this is not the case. I’ve not seen any of the other versions of it, but so far, this manages to capture both the spirit of the novel and the eccentricity of the family versus that of the islanders rather well. It follows the fortunes of the widowed Mrs Durrell and her four children as they flee a damp and depressing England to start a new life in Corfu in the 1930s. Larry, Leslie and Margo are young adults, Gerry, the narrator and author of the book, is the youngest and strikes terror into the hearts of his family by his fondness for bringing any number of living creatures (rampant gulls, scorpions and tortoises) into the house as pets to be admired. Continue reading
Hurrah, it’s olde worlde rural England. You can tell that from the font they’ve used for the titles. Ah yes, let’s settle down to a nice bit of light gossiping over the teacups – bloomin ‘eck! It’s all gone Midsomer Murders.
Ian McShane creeping about, looking sinister, wondering where all the antiques are, and then bumping someone off. Yes, brutally kills him, by, um, pushing him over. His victim doesn’t even bang his head. That’s a bit like lighting a match to a birthday cake and the whole thing going up in flames because someone’s secretly covered it in brandy. Unexpected. It certainly was for McShane who looked deeply puzzled that one push had proved fatal.
Phew, here we are in olde worlde England, a rural garden with some ladies and teacups. But, shield my eyes – the colours are so bright and garish they must have let a five year old with some Magic Markers loose on the film. It looks exactly like that Specsavers ident crossed with an Utterly Butterly ad. I couldn’t actually concentrate on what they were saying a) they were so OTT and b) I was wondering if a bee was going to alight on their floral headgear. But one of them was getting married and another one wasn’t going to be a bridesmaid. Continue reading
(Episodes 5 & 6) In the words of the great Mr Swayze; Nobody puts Napoleon in the corner. Contrary to my last report, he’s very far from calm and wants all of Russia for his plaything. The score for this drama has been wonderfully majestic and stirring, but I couldn’t help thinking of Ini Kamoze whenever Napoleon oiled his way onto the screen.
‘Here comes the French leader, Napoleon
He’s the ear-rubbing gangster, murderer
Splice all de men in de area, Napoleon
Or blow dem up like dat, murderer!’
He swaggers into the chandelier-laden glamping-style tent, flourishes his magnificent tassels and dulcetly informs hapless messenger Boris, ‘I am going to take your country.’ [Mr Bond] ‘But don’t worry, it’s not your fault.’ He will apparently be merciful to the Russians, he announces magnanimously, as if he’s doing them a favour. Continue reading
Three episode special!
Honestly, you wait YEARS for a bloke, then several turn up at once. So it is for Natasha, who’s all grown up and decided fringes are SO last season. As is any other facial hair. The nice, uncomplicated (once he’s got the prostitutes out of his system) David Mitchell lookalike is rejected, despite the splendour of his mazurka (and his moustache). Uber-villain Dolokhov twigs she prefers a clean-shaven look and being unwilling to shave off his own splendid ‘dot and dash’ restrains himself to a mere mental undressing of her before trying his luck with Sonya. That doesn’t work, for Sonya is far too sensible. Natasha – pay attention. Continue reading