(Series 20, ep. 46 ‘Report to the Mirror, Part Two’ by Andy Bayliss 13.11.18) This week’s review is over at Metro as usual. A few additional thoughts:
– This episode went total body-horror, with Jac having the awful and full knowledge that to get the dreaded implant out of her she had to place her life in the hands of a man she knew she couldn’t trust at all. It’s scary enough having surgery when you know the surgeon is sane and competent and has your best interests at heart, but Gaskell? Yikes. And you could see all of that playing across Jac’s face coupled with the absolute determination that she had no alternative.
– The sight of Lana’s body with open wounds in Gaskell’s lab was one of the most disturbing things I’ve ever seen on Holby. I loved how for a few seconds Ric and Sacha couldn’t quite comprehend what they were seeing either. It was absolutely horrific.
– The line of the episode for me was the Professor saying that Essie was ‘lying down in a cold, dark room.’ If Hanssen hadn’t immediately chipped in to say that she had a headache, would other people have picked up on just how sinister that sounded?
– The showdown at the lake was quite epic. I liked the hallucinatory bits where Hanssen thought Gaskell was on the bank with him rather than being in the water. Hanssen’s struggle to overcome the effects of the neurotoxin and stay with reality was mirrored by his struggle to understand the full extent of what Gaskell had been doing – particularly when he realised that Gaskell had killed Roxanna.
– This whole storyline has been ambitious and brilliantly done. Gaskell was a bit sinister right from the get-go, but never went full mwah-hah-hah until right at the end. It’s been gruelling, though. Hopefully there’ll be some lighter storylines coming up in the run-up to Christmas. After all this (admittedly brilliant) drama and horror we could do with a bit of sparkle, some romance, and a very large glass of Shiraz.
(Series 20, ep. 43 ‘Too Good To Be True’ by Gerard Sampaio 23.10.18) I’ve reviewed this episode in lingering detail over at Metro, but before you go to have a look please bear with me while I waffle on about a few additional things.
– Serena’s blouse. While I applaud a bold colour choice, I don’t think lime green is really her. It might look different on a big telly, but when I was watching the preview on my laptop screen it was making her hair look a bit greenish too. That could be just my laptop or my eyesight, I suppose.
– I thought the girlfriend of the Keller patient was going to turn out to be one of Leah’s former conquests when she recognised her. The story was actually more interesting than that. I wonder whether seeing Leah away from Serena has changed the minds of the people who thought she was a crazed stalker? She seemed rather nice here.
– When Bradley from EastEnders needed his brain operation and Dominic was telling him confidently that ‘our neuro team’ would sort him out I was thinking who’s that, then? Roxanna is dead, Gaskell’s in Lisbon and when we last heard of Selfie he was at home watching Blue Planet with Oliver Valentine (on Thursdays at least).
– The Fletch and Jac will they/won’t they – I’m really hoping it just fizzles out, because though they are great together, Sacha has just moved in with Jac and I don’t want him feeling like he’s a third wheel while Fletch and Jac play happy families. And Jac is a great mother to Emma and seems to get on with Evie, but coping with Mikey and the other Fletchlings? I can’t see it.
– Congratulations to everyone at Holby for winning the Inside Soap award for Best Drama Storyline for last year’s brilliant hospital shooting episode. Relive every tense moment in my blow-by-blow-account review of the episode here.
– And thank you to the BBC for mentioning the Holby book over the closing credits. It’s selling out fast (there are no copies left at the warehouse, so when current stocks sell out that’s it), so if you haven’t got yourself one yet, here’s where to get a copy.
Ready, Set, Cook! Or rather stand looking confused at a chicken, asking which part is the breast (Monty Panesar). Yep, Celeb Masterchef is back. Is it the same as before? No, it has ‘The Wall’.
Gregg’s (aka Celeb-irritant Shrek) saucer-eyes nearly expanded off his face with excitement at announcing this new development. As walls go, it’s safe to say that Trump’s one is still uppermost in people’s consciousnesses. My ten year old liked it though, so I guess it has some appeal. The pairs are sent to either side of the wall to attempt to make exactly the same dish. They can call out to each other, a la Pyramus and Thisbe, about what procedure they are doing but never the twain shall meet. Until they are summoned to the judging table of doom to see which offering looks more like a dog’s dinner. Selfish Martin Bayfield nearly toppled the wall (metaphorically rather than literally, although that would have been fun). At 6 foot 10, the pro rugby player/giant was obviously taller than any of the set designers had reasonably expected anyone to be. He could look straight over the wall. However, he is a sporting sportsman and refrained from doing so. Continue reading
I didn’t watch Love Island at all for about five weeks. Then I saw a couple of extracts with my 13 year old son, snorting at the ridiculousness of it, the ‘melts’, ‘salts’ and ‘mugging offs’. He announced to our cat that he’d like to ‘couple up’ with her.
Sadly, like Icarus, I watched slightly too long and then fell into the blaze of the last two weeks. I didn’t have the app, I didn’t watch any of the spin-offs. But I did see all the remaining episodes.
Having now observed some snippets from earlier episodes I realise I missed most of the good stuff. The ‘recoupling’ sections I saw were completely yawnworthy for the most part.
‘Who would you like to couple up with?’
‘The same person I’ve been with for the last week.’
Repeat five times. Continue reading
From this week I’ll be reviewing Holby City for metro.co.uk , so for the full review that you know and (hopefully) love, please head over there and have a look.
Meanwhile, this week’s Holby in bullet points:
(Series 20, ep. 28 ‘Into the Light’ by Becky Prestwich and Nick Fisher 10.7.18)
– Gaskell taught Roxanna to shriek in the Shrubbery.
– And she needed a good shriek by the end, after discovering that Prof Gaskell has been keeping a lot of secrets about his trial.
– Jac is putting her faith in the Prof and Roxanna to sort out the problems with their trial, despite finding out that another of the test subjects has died.
– Ethan Hunt escaped the ED to roam the big corridors upstairs, where we found he wasn’t exactly a stranger to Roxanna and the Prof (and not just because they watch him on Casualty).
– The Prof ended the episode doing some more of his trademark staring at patients – but the patient this time was none other than Essie Di Lucca.
– Essie was recovering from surgery after Hanssen and a non-speaking obs & gynae expert (where’s Fleur Fanshawe?) had operated on her for ovarian cancer.
– We met Raf’s dad, Enzo.
– Donna was house-hunting, but suitable properties were out of her reach. She’s now decided to train to do botox and whatnot as a way of earning extra cash.
– And they had a lovely selection of cupcakes at Pulses.
by Maggie Gordon-Walker
I have to confess I was slightly underwhelmed by the first episode of Poldark. Granted it’s been a while since it was last on, so they probably thought a recap was in order, but it felt like over half of it was reminding us what had happened in the last series.
So we have Ross (of course), just as gorgeous and brooding as ever. Demelza, feisty and spirited, still righteously cross about Ross dipping the Poldark toe into Elizabeth, so to speak, although slightly less cross due to her own dalliance with Very Pretty Hugh, who looks like he’d be more at home on Made in Chelsea. Elizabeth, considerably less attractive since her adoption of her husband’s snootiness, George, mouth still like a cat’s anus. Cornwall’s very own Romeo and Juliet – the exceedingly baby-faced Drake and perpetually mournful Morwenna, forever under the watchful eye of the oily Rev, who is like a Christopher Biggins gone bad.
While I was waiting for something to happen and marvelling at how much galloping on horseback across the countryside there seemed to be (it could have rivalled a Lloyds bank ad), I fell to wondering if you put the combined hair of the cast members together, how far would it stretch? For they are all an astonishingly hirsute bunch, man, woman and horse. And there’s always a strong wind, so the locks are blown madly hither and thither. Demelza’s hair has definitely got redder, which is interesting because I don’t think L’Oreal stretched to Cornwall in the eighteenth century. Continue reading
(Series 20, ep. 23 ‘None but the Brave’ by Gerard Sampaio 5.6.18) Jac’s back! Her hair is shorter and wavier! But apart from that, she isn’t feeling any better for her time off. In fact, according to Roxanna, she’s getting worse and might be in a wheelchair within a year. Nooo!!!
The reason Roxanna was looking at Jac’s scans is that Jac wants to be Prof Gaskell’s new trial subject. Naturally this is worrying news – we’ve seen the trail of destruction that the Prof tends to leave behind him. Even the Prof was worried. Despite his belief in his own god-like legend, he knows it would be terrible publicity to incapacitate or kill Holby’s top CT surgeon. So he asked Sacha to have a word with her and talk her out of it. Sacha’s opinion of Prof Gaskell is exactly the same as mine – that he pushes the boundaries, but without due concern for the individual patient.
Unfortunately, boundary-pushing is exactly what Jac wants. Though she was almost swayed by Fletch’s persuasive argument that if she dies, Emma will grow up without a mother. Almost. Because she can’t visualise herself as anything but a surgeon, so she’s willing to take a risk. I’m already extremely tense at the prospect of watching that particular piece of surgery. Continue reading