(Series 21, ep. 4 ‘A Daring Adventure Or Nothing At All’ by Isla Gray 22.1.19) For my full review of this episode head over to Metro. But a couple of things before you go…
– I felt so sorry for Frieda, because I could really believe in her and Roman as a couple. Not least because of the beautiful way she says his name. I had to google about opening the window to let his soul out, to check it was really a thing, but somehow I knew from the way she did it that it is a thing. It’s a very beautiful thing, I think. I’m glad that at least before Roman died he had a chance to show Frieda that he really was the man she’d always loved.
– Now I want to talk about the decor in the YAU (Yow!). First of all, where did the cash-strapped NHS find the money for all that etched glass and whatnot? And secondly, isn’t a bit patronising to think the young adults need surrounding with the bright colours and cartoony shapes of play school?
– And why isn’t anybody (Sacha?) kicking up a fuss about having half of Keller carved off for the YAU?
– I’m not really getting the Foetus/Fauntleroy rivalry. One minute they’re friends(ish – going to karaoke together at least), the next minute they aren’t. For Nicky it’s a bit of a replay of what she went through with Meena.
– Mia is very amusing. She talks like an adult, but in a believable way. I really like the Mia/Donna/Zav combo.
– And for anyone who would like to know more about Pathological Demand Avoidance (as seen in the Ellen/Ange storyline) there’s a useful website here.
(Series 21, ep. 3 ‘The Burden of Proof’ by Gerard Sampaio 15.1.19) For my full review, pop yourself over to Metro. But before you go, here are a few random thoughts.
– ‘Oh please, can we keep her?’ I think everybody will have been nodding along with Serena’s wish to have Lola Griffin/Williams on AAU every Tuesday until the end of time. Sharon D Clarke is fabulous in the role – charming, feisty, charismatic, she has an almost magical way with patients and staff alike. I absolutely love her.
– I didn’t think Dominic’s ‘lie’ about being useless at Physics was a big deal, really. It was just an awkward attempt to bond with Harriet rather than a reversion to his ‘Psycho Dom’ days. The exaggeration of his experience in the surgical procedure was more serious, but what doctor on Holby hasn’t occasionally done that? Cut him some slack, Ange.
– Is it just me, or does Holby get an unusual number of patients (and staff) who want to join, or have already joined, the army?
– I’m very glad we didn’t have to witness Nicky and Cam at Albie’s karaoke night. If there’s two things I can’t cope with on TV it’s karaoke scenes, and people who can’t dance trying to dance (hence why I can’t watch Strictly). And nosebleeds. That’s three things.
– I’m excited to see what Lofty gets to wear for his new job of Discharge Coordinator. Maybe he can wear the green scrubs that Essie used to have when she was Transplant Coordinator? Not the exact same ones because I shouldn’t think they’d fit.
– What on earth were Lola and Ric up to to get him that head injury? On second thoughts, best not to dwell on that one.
(Series 21, ep. 2 ‘China Crisis’ by Joe Ainsworth 8.1.19) Happy new year, Holby fans! The review for this episode is over at Metro, and now I’ve come out of Christmas hibernation I can summon up a few additional random thoughts about it.
Tom Campbell-Gore succumbed to the Curse of the Holby Relative/Friend/Staff Member fairly easily, didn’t he? It’s a shame, really, as I was rather enjoying his arrogant ways. And enjoying Serena putting him in his place very much.
I rather like Ange at first sight, though she does remind me of Colette Sheward in a practical, sleeves-up, no-nonsense kind of way.
Has the YAU (I hear that in my head as a James Brown sort of ‘Yow!’) been conceived so that Holby can nurture the next generation of young acting talent by bringing in lots of Young Adults? It would be very commendable if so, but I do get a bit vexed by these ‘units’ that take over perfectly sensible wards. It’s usually Darwin that gets corners of it stolen by other departments, but they always get their territory back in the end. I wonder how long the YAU will last before someone decides they need the beds back?
Essie does love a Special Uniform, doesn’t she?
Cameron’s appearance on Darwin prompted some of the best lines of the week (‘That’s all I need, another pound shop Hugh Grant’ and the line about ‘Foetus and Fauntleroy’ from Jac), but I think my favourite line in the whole episode was ‘Serena Campbell. No Gore.’
The scenes between Lorraine Chase and Jaye Jacobs were beautiful.
Apologies for this short and un-illustrated post. It’s Twixmas and I’m not opening my laptop for any reason.
Luckily there’s a proper Holby review over at Metro as usual, so pop over there for my thoughts on this festive episode, which came complete with a couple of pretend Santas, Mr T as an elf, and Alex Walkinshaw completely knocking it out of the park.
Holby City review with spoilers: Love for Xavier, heartbreak for Fletch at Christmas
(Series 20, ep. 50 ‘The Right Sort of Animal’ by Ed Sellek 11.12.18) Pop over to Metro for a full review of this glorious episode. Before you go, some random thoughts.
– How fabulous was this episode? I love the quirky things that Ed Sellek puts in his scripts and there were loads of them here. Xavier’s reference to The World According to Garp (telling Serena she was ‘pre-disastered’) has shot him right up in my estimation, and there was another literary reference with Morgan the Organ – the poor man who got hit right in the middle of Pachelbel’s Canon (ouch). The stained glass face stuck in Lexy was brilliant too.
– Reverend Richard Coles’ appearance was really nicely done. His character Henry De Havilland added to the general quirkiness of the wedding in a really joyous way.
– Greta (Zoe Croft) looked absolutely beautiful.
– I also loved Greta’s advice to Dom. Both Greta and Jason are great at getting straight to the heart of things and cutting through the nonsense.
– It was nice to hear Lee Mead using his singing talents, and well done to David Ames for being able to be sung at without going bright red and giggling. Or is that just me?
– It was also lovely to have a Dofty wedding. I was so happy I forgot (till it was over) that Carole Copeland and Sheilagh Chiltern weren’t even there. Luckily both of them will be making appearances in the next few months (see the winter trailer) – but will they ever meet?
– I have a lot of thoughts about Berena, which you can read about in a separate piece over at Metro.
2019 is the 20th anniversary year for Holby City – and you can expect lots of guest appearances and surprises in the run up to the 1,000th episode in the autumn.
First off, long-standing Holby fans will be delighted to hear of the return of Sharon D. Clarke as the inimitable Lola Griffin, ex-wife of the esteemed Ric. For those who haven’t met Lola yet you’re in for a treat – she’s one of my favourite ever Holby characters. She’ll only be back for one episode, in which she’ll ‘hold a mirror up to Ric’ as he reflects on his time at Holby. ‘I spent 3 ½ happy years playing Lola,’ Sharon says. ‘She was the kind of woman I would have loved to have seen on my screen when I was growing up. I was very proud to bring her to life and be a part of the Holby family. I’m so excited to be treading the wards again, and seeing what Lola will be getting up to for Holby’s 20th Anniversary. Hey, Ric, Lola’s back in town!
Denis Lawson also returns as CT surgeon Tom Campbell-Gore, who will be a rival to Ric for some crucial funding. This storyline will also introduce new surgeon Ange Godard (played by Dawn Steele). Lawson, who left Holby in 2004, says, ‘I have great memories of my time on Holby City and I’m delighted to be back on my old stomping ground with the Holby cast and crew.’
Executive Producer Simon Harper is also teasing more excitement to come in the months ahead. ‘We want to give the audience a whole year of anniversary treats, paying homage to the show’s heritage with some delicious returning characters – but also celebrating the new, working towards the 1000th episode around Bonfire Night… which is set to be an explosive story indeed!’
He’s also delighted about Denis and Sharon returning to Holby. ‘It’s a massive thrill to have Denis back, not only as one of our country’s foremost actors but also as one of Holby’s original bad boys in the show’s early years! Tom Campbell-Gore hasn’t changed a bit since he left Holby 15 years ago and definitely has some scores to settle with Ric… And it’s such a coup to have Sharon here again. It’s fantastic too, given how in demand she is – not only is she a fabulous actor and a much loved tender, funny Holby character but we clearly couldn’t let the anniversary pass without the appearance of one of Ric’s many ex-wives to ruffle his feathers.’
I can’t wait!
(Series 20, ep. 49 ‘Love Is’ by Michelle Lipton 4.12.18) Pop over to Metro if you’d like to see my full review of this episode.
– It was quite a sad one, wasn’t it? Serena crying on Fletch, Dominic crying on Essie. At least we had Frieda and that lovely dog to cheer us up.
– It wasn’t all bad on the Berena front, either. It’s always glorious to see Bernie, though of course the pleasure of seeing her was tainted by the dread that she would find out about Serena and Leah and would invoke one of her famous 13 ways to kill with her bare hands. Or just be really sad, which would be worse. For now, things are looking like they might work out after all.
– Dominic and Lofty, though… David Ames breaks my heart when Dominic is sad, but it doesn’t make me like Lofty any less because you can see his actions come from being caring and thoughtful. He’s just too cautious.
Line of the week – Bernie: ‘Whatever happened to absence makes the heart grow fonder?’ Donna: ‘Too much distance makes it wander.’
– Do not miss next week’s episode. That’s all I’m saying.