(Series 19, ep. 45 ‘Calm Before the Storm’ by Katie Douglas 15.8.17) In a nutshell: Sacha found God, Nina and Matteo found each other and Selfie found Ollie’s Achilles’ heel. It doesn’t sound like a lot to fill an hour of TV, but I was gripped throughout. The hour just flew by.
Guy Self really is a brilliant baddie, and I think he’s even better this time around than he was during his first stint, because now we know what a complicated personality he really is. He’s no cartoon villain, there’s a vulnerability there which at the moment he is reigning in tightly as he reverts to his default setting of Manipulative and Devious – though would the old Selfie have become quite so flustered during surgery? Continue reading
(Series 19, ep. 40 ‘Sleep Well’ by Elliot Hope and Johanne McAndrew 11.7.17) Fran isn’t evil, or a villain, or a baddie. She’s a hurt, angry, damaged person. Jac knows this, because she’s similarly damaged. Where they differ is that Jac has dealt with all the hurt she’s suffered over the years by exercising a huge amount of self control – sometimes Jac is just held together by willpower alone. Fran is more needy and volatile. Continue reading
(Series 19, ep. 36 ‘For the Love of Maureen’ by Joe Ainsworth 13.6.17) The end of the episode saw Mo, Mr T and Hector drive off into the Holby sunset in Mo’s funny little pink car. It was a lovely happy-ever-after for them, and the whole episode was a beautiful send-off for Mo, who ever since her first heavily-pregnant appearance has been a wonderful warm, funny, feisty character. She got to say goodbye to all her Holby family in touching little one-to-one scenes and a funny party scene at the end. Chizzy Akudolu said on Twitter that her tears in her scene with Sacha were real, and there was genuine emotion also in a scene with Ric and a wonderful one with Jac, where Jac paid tribute to Mo as a black working class woman in a posh white man’s world. It’s not often you hear Jac Naylor’s voice break up, but it did at the end of that speech. Continue reading