Tag Archives: Paul McGann

Holby City: Nothing but the work

(Series 20, ep. 38 ‘One Man and His God’ by Andy Bayliss 18.9.18) I’ve written a nice long review of this episode over at Metro, but before you go to have a look here are some additional thoughts.

– The ending was just about the most twisted, terrifying thing I’ve ever seen on Holby. The idea of deliberately leaving someone in a ‘locked in’ state (especially as we knew that Roxanna’s mother had already experienced that) – well, even the most seasoned Gaskell-watcher will have been shocked at just how far his drive to succeed has pushed him.

– We’ve had murderous people on the wards of Holby before (Nurse ‘Killer’ Kelly Yorke in series 5/6; Hanssen’s son last year), but Gaskell is an entirely different kettle of fish. The scary thing about Gaskell is that he truly believes he’s only one step away from the next great medical breakthrough. He takes no pleasure in people being hurt or dying, but at the same time he views anyone who suffers during the course of his experiments to be collateral damage. The bigger picture is all he cares about.

– I loved the flashback scenes. Young Gaskell, Hanssen and Roxanna were perfectly cast and played their parts brilliantly, and Andy Bayliss’s script filled in plenty of blanks about each of them in a subtle and moving way. I also liked how the different sets of flashbacks were in the minds of each of the three older characters, so each one had a slightly different focus.

– Scenes between Hanssen and Dominic have become as precious and lovely as scenes between Jac and Sacha. It’s a similar dynamic – a closed-off, apparently cold person and someone who is expressive and emotionally open who sees them for who they really are.

– Gaskell’s last words to Roxanna – ‘forgive me’ – were chilling. I honestly doubt she’s going to be forgiving him any time soon, even if he ‘fesses up and sorts out the mess he’s left inside her head (if that’s even possible).

(Picture: BBC)

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Holby City: Look out!

(Series 20, ep. 37 ‘All Lies Lead to the Truth’ by Robert Goldsbrough 11.9.18) This week’s review can be found over at Metro. Before you go, here are some random musings about the episode.

– Is Meena’s new car cursed? She’s had a terrible time ever since she got it, with a miserable birthday followed by a Boxing Birthday (or is it just my house where we have those?) in which she reverses into Serena’s car and later on knocks down a fleeing neurosurgeon. If I was Meena, I’d be getting that car swapped for something a little less haunted, ASAP.

– I thought Roxanna’s spying on Gaskell was really suspenseful. The bit where she was snooping around the wet lab and he was walking along the corridor was scary. I’m still not sure how she got out. Did she find a secret back door? Or had she gone out of the front door before Gaskell turned the corner?

– And then when she revealed to him what she knew and he turned the tables by trying to tell her that she wasn’t well. Will she wake up and manage to tell Hanssen what she knows before Gaskell can go any further? Or is the staff member with the best quiff since Fletch already destined to be a commemorative plaque in the Linden Cullen Memorial Shrubbery?  Continue reading

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Holby City: All the blue shiny things

(Series 20, ep. 36 ‘Keep Your Friends Close’ by Isla Gray 4.9.18) For a full review, please head over to Metro. But first, a few random thoughts.

– I like the way the Gaskell story is warming up. He hasn’t gone full ‘mwah-ha-ha’ at any point, but we can see how he’s focused to the point of being dangerously obsessed. I have no idea where his moral compass is, which is why it was an excellent idea to put the moral compass of the hospital (Hanssen) up against him. But Hanssen’s view of things has been shaken by what happened with Fredrik, and is further complicated by his feelings for Roxanne.

– I have to wonder, did Gaskell bring all his blue luminous objects with him when he arrived, or are they standard-issue NHS items? Perhaps they’re alien artefacts he got when he was Doctor Who, and their strange intense glow is a form of mind-control. This would explain quite a bit about the Prof.

– Hanssen taking frightened patients out onto the hospital’s scenic fire escapes. Not sensible.

– I’ve honestly forgotten what Meena and Nicky fell out about, but I wish they’d sort it out. I do actually feel sorry for Meena. She’s very lonely and adrift. I think Zav probably knows deep down that she really wants more than just no-strings fun, but he was happy to take what she said at face value. I don’t think either of them is going to feel very good about themselves in the morning.

– Abi was back, which was good news for anyone requiring a CT surgeon because they’ve been a bit thin on the ground of late. But even when she’s there, she never seems quite there, if you know what I mean. Luckily we can see from the Autumn trailer that Darwin is going to get considerably busier soon.

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Holby City: The Botox bar in my bedroom

(Series 20, ep. 34 ‘All Business’ by Nick Fisher 21.8.18) This week’s proper Holby City review can be found at Metro here. Before you go, I have to talk about Xavier giving Nicky’s bedroom away to Donna to use as a base for her Botox business.

This was puzzling on various levels, but I think I’ve worked it out. There are three bedrooms in that flat – Nicky’s, Meena’s and Frieda’s. As far as we know they haven’t got anyone in to replace Frieda. Remember back in the summer trailer, we saw Frieda asking an unclothed Zav, “What are you doing in my bedroom?”

So my guess is that either Zav meant to say that Donna could use Frieda’s room, or Nicky has moved in to Frieda’s, hence why hers is free to fill with lip fillers and what-have-you.

But there’s still one niggling question, which is why does Xavier have the right to organise who does and doesn’t occupy Meena and Nicky’s flat?

Elsewhere, I’m enjoying Roxanna putting on her sleuthing hat and deciding to get to the bottom of whatever the Prof is up to. And she gets to travel the world at the same time! She’s a smart woman.

And that was an ominous ending, wasn’t it? I’ve already seen next week’s Sacha-centred episode, and I have to tell you it’s absolutely brilliant, with a heart-wrenching performance from Bob Barrett.

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Holby City: Jac’s dying! Or is she?

(Series 20, ep. 33 ‘Bargaining’ by Katie Douglas 14.8.18) For a full-length review of this super-tense episode, head over to Metro. Before you go, here are some random thoughts:

– Serena telling that porter that his arm would have to be amputated was a bit much, wasn’t it? Isn’t there something in the ethics handbook about that sort of thing?

– It must have been the lightest script that Rosie Marcel has had recently. I think the longest sentence she had to learn was ‘Fix me.’ 

– Prof Gaskell banging his head on the desk was amusing. Was it frustration that his trial is so close to succeeding, yet it inconveniently keeps killing people?

– The Prof kind of reminds me of Donald Trump in the way that he rejects people who are critical (Roxanna) and tries to surround himself with people who can reflect his own magnificence back at him (Essie). Obviously he has nicer hands and better hair than Donald Trump though.

– There’s a lot of blue, glowing stuff around Holby recently. They also have it in the new operating theatre on Casualty. I don’t know what it is, but it’s very pretty.

– Serena’s comment, ‘I’m a hell of a woman, Jason, and I intend to keep it that way.’ Are Berena fans worried about Serena’s susceptibility to flattery from Steven? Should Bernie be worried?

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Holby City: Well that was a shock

(Series 20, ep. 32 ‘Bygones’ by Jon Barton 8.8.18) For my more in-depth look at this week’s episode, please head over to Metro. But before you go, read on for a few random thoughts.

– The scene where Serena helped Evie tell Fletch how she felt and he reacted with tears was brilliant. Alex Walkinshaw and Macey Chipping have such a natural on-screen rapport, and it came across as absolutely realistic and genuine.

– I honestly didn’t guess that the person in the bed at the beginning/end was going to be Jac. I thought Steven, Evie, possibly Essie (though it probably wouldn’t have been Fletch at her bedside), maybe even a patient who’d suffered as a result of Fletch being too preoccupied with his family troubles. So that ending came as a real shock.

– Steven was appearing everywhere – he was in Pulses, he was in Fletch’s office, he was in Albie’s (when Albie’s was actually closed). If he gets this porter job Fletch wants him to go for (and of course he will), expect him to turn up in the basement, on the roof and in random operating theatres. Expect him to find parts of the hospital we didn’t even know existed.

– Sacha’s tears when Essie got the news about her cancer! Bless him, he’s like a well of loveliness. And I’m ever so glad Essie is coming back.

– When Donna drew the man with the beard, I thought it might be Tom Wyrick, the patient on Darwin. That would have put the cat among the pigeons if Lofty had transferred MRSA to Darwin.

– Actually my first thought about Donna’s drawing was that it was Jarvis Cocker.

– It’s amazing how even though most people seem to die or suffer terrible effects not long after the Prof’s scalpel has touched them, everyone is still (just about) convinced he’s a miracle worker.

– I loved Essie’s shirt dress thing.

– And how can Donna just fling a fascinator on her head and look fabulous?

– I’m now desperately worried about Jac. I don’t do prayers, but if any eyelashes fall out this week that I can wish on, I know what I’ll be wishing for.

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Holby City: When life gives you lemons

(Series 20, ep. 30 ‘Two for Joy’ by Ed Sellek 24.7.18) Head over to Metro to read my in-depth review of this beautiful episode. But before you go, here are some random thoughts in handy bullet points:

– Jac failed to win an award, which annoyed her somewhat. ‘I went back to work after being shot in half. The least they could do is put my name on a paperweight,’ she reasoned.

– The Darwin patient never spoke and we didn’t really see him, but we did see his partner Cassie (Ruby Bentall), who was somewhat… odd.

– Fletch told Jac that if she needs a punchbag she can use him. To which I reply, ‘Not his face, though.’

– It seems that Jac still isn’t out of the woods as far as surviving Gaskell’s scalpel is concerned. He’s noticed that she might be having some neuro issues. To which I reply, if Jac needs a punchbag she should use Gaskell, not Fletch.

– There are many reasons to love Lofty, not least of which was his decision to summon Carole Copeland to Holby. It’s been far too long since we last saw Dominic’s mum.

– Donna’s line when she was looking at Lofty’s grandfather’s wedding ring and Lofty asked for it back: ‘All right, Frodo!’

– It warmed my heart to see Dominic, Sacha and Essie back together again on Keller, even if it was only briefly.

– I can’t help thinking that if all those lemons were intended to be squeezed over salmon baguettes in Pulses, they must sell a huge number of salmon baguettes.

– The double proposal was beautiful and funny and touching, and I loved it. I also loved how Carole was so honest about Dazzle – he’s a ‘proper little nightmare’ and not the marrying type – but Lofty knows all that and loves him anyway.

– I’ve enjoyed having Essie back at Holby, and I really hope she’ll be coming back to work now. The relationship between her and Sacha is a beautiful thing, and she’s one of the characters who gives Holby real warmth and heart.

What did you think of the episode? After you’ve had a look at the Metro review, please pop back here to leave your thoughts in the comments section.

Have you got the official Holby City book yet?

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