(Series 19, ep. 27) I always felt that the only possible satisfying conclusion of the Dominic/Isaac storyline would be for Dominic to find the strength to be the one to finally end it. I know that’s a very big ask for someone in an abusive relationship – Isaac has systematically undermined and isolated Dominic, making him doubt the reality of events and overlaying them with a twisted version (“That’s what grown-up love is… It’s scary”). Help was always going to be needed, and powerful help arrived this week in the form of Zosia, Essie, Sacha, Hanssen and Dominic’s old flame, Kyle (Alan Morrissey). With his gentle, loving, no-bullshit personality, Kyle was the perfect person to once again see through the fictions that Dominic creates. Hanssen said at the end that he regretted not acting sooner and more decisively, but actually his intervention was well-judged – he’d worked the situation out for himself but tried to empower Dominic to get help for himself. Continue reading
(Series 19, ep. 18) Hanssen was back, but he wasn’t wearing the tie of authority. he was wearing the open-necked shirt of civilian life. “Avante garde for the NHS,” according to Dominic. Hanssen wasn’t there as CEO, but as a patient’s relative. His son Fredrick (William Postlethwaite – son of Pete) had been in an accident, and needed surgery.
There was a strange drug in Fredrick’s system, the fictional Oxamorol, manufactured by Lovborg, the family business now run by Fredrick. It was a magic bullet for depression, according to Fredrick. Hanssen was devastated to think that he might have passed his own depression to his son.
The truth was actually even more devastating than that. Fredrick was using himself as a guinea pig to test the drug, which had already been shown to have nasty side effects including possible and actual death. He was willing to risk his own life, but also to cover up the negative trials that had already been done. And he didn’t even have depression, dismissing Hanssen’s condition as a weakness. Continue reading
(Series 19, ep. 17) Ooh, but this was a dark episode. The AAU and Keller stories were difficult and gloomy, with some of our favourite characters going through horrible times, with Darwin providing a bit of welcome light relief.
It started with a Serena voice-over, sorting people into lions, lambs and shepherds. This came from an essay Elinor had been writing before she died, and later in the episode we heard it again, with both Serena’s and Elinor’s voices speaking together, which was a spooky kind of effect.
Serena was looking for someone to blame for Elinor’s death. Just like she pointed the finger at Chantelle when Adrienne had a stroke, another sunny junior was in the firing line this time – Jasmine. And, to be fair, perhaps if Jasmine had been more experienced and more mature she might have spotted that Elinor had a problem earlier. That almost isn’t the point, though. It’s more about Serena’s need for control, to impose some order on a world that’s just been turned on its head. This was underlined by the presence of recurring guest character Lexy – the vicar with the Herzig heart who seems to bob up at moments of crisis. The crisis this time was her own – her husband was involved in a car accident and later died, prompting Lexy to question her faith. She was also someone for Serena to get cross with. Continue reading