(Series 19, ep. 27) I always felt that the only possible satisfying conclusion of the Dominic/Isaac storyline would be for Dominic to find the strength to be the one to finally end it. I know that’s a very big ask for someone in an abusive relationship – Isaac has systematically undermined and isolated Dominic, making him doubt the reality of events and overlaying them with a twisted version (“That’s what grown-up love is… It’s scary”). Help was always going to be needed, and powerful help arrived this week in the form of Zosia, Essie, Sacha, Hanssen and Dominic’s old flame, Kyle (Alan Morrissey). With his gentle, loving, no-bullshit personality, Kyle was the perfect person to once again see through the fictions that Dominic creates. Hanssen said at the end that he regretted not acting sooner and more decisively, but actually his intervention was well-judged – he’d worked the situation out for himself but tried to empower Dominic to get help for himself. Continue reading
Tag Archives: patrick homes
(Series 19, ep. 18) Hanssen was back, but he wasn’t wearing the tie of authority. he was wearing the open-necked shirt of civilian life. “Avante garde for the NHS,” according to Dominic. Hanssen wasn’t there as CEO, but as a patient’s relative. His son Fredrick (William Postlethwaite – son of Pete) had been in an accident, and needed surgery.
There was a strange drug in Fredrick’s system, the fictional Oxamorol, manufactured by Lovborg, the family business now run by Fredrick. It was a magic bullet for depression, according to Fredrick. Hanssen was devastated to think that he might have passed his own depression to his son.
The truth was actually even more devastating than that. Fredrick was using himself as a guinea pig to test the drug, which had already been shown to have nasty side effects including possible and actual death. He was willing to risk his own life, but also to cover up the negative trials that had already been done. And he didn’t even have depression, dismissing Hanssen’s condition as a weakness. Continue reading
(Series 19, ep. 17) Ooh, but this was a dark episode. The AAU and Keller stories were difficult and gloomy, with some of our favourite characters going through horrible times, with Darwin providing a bit of welcome light relief.
It started with a Serena voice-over, sorting people into lions, lambs and shepherds. This came from an essay Elinor had been writing before she died, and later in the episode we heard it again, with both Serena’s and Elinor’s voices speaking together, which was a spooky kind of effect.
Serena was looking for someone to blame for Elinor’s death. Just like she pointed the finger at Chantelle when Adrienne had a stroke, another sunny junior was in the firing line this time – Jasmine. And, to be fair, perhaps if Jasmine had been more experienced and more mature she might have spotted that Elinor had a problem earlier. That almost isn’t the point, though. It’s more about Serena’s need for control, to impose some order on a world that’s just been turned on its head. This was underlined by the presence of recurring guest character Lexy – the vicar with the Herzig heart who seems to bob up at moments of crisis. The crisis this time was her own – her husband was involved in a car accident and later died, prompting Lexy to question her faith. She was also someone for Serena to get cross with. Continue reading
(Series 19, ep. 16) The thing that shocked me the most about this episode was finding out that the mythical HR department actually exists. We saw it! Although, thinking about it, we only saw the glossy facade and Mo never actually went in, so it could have just been a hallucination caused by sleep deprivation.
The reason Mo was hallucinating the HR department was that she and Mr T had a plan to go to Gothenburg for a year with the baby. Mo would be putting her career on hold for a life of smorgasbord and bilingual mother and baby groups.
That was never going to fly with Jac Naylor, who employed the strategy she used so effectively with Zosia – pretend someone is completely replaceable and not needed at all, until they realise that there’s no place like Holby and cancel their foolish plans. Continue reading
(Series 19, ep. 3) That was such a dense episode – “dense” in the sense of there was a lot packed into it, rather than it was stupid, which it certainly wasn’t.
Much of it centred on Henrik Hanssen, which is always a marvellous thing. In this case, though, it led to him taking a period of “gardening leave,” which isn’t a good thing, because it means he won’t be around for a while. He’s drafted in Ric Griffin to deputise, because Holby needs its moral compass. “When will you be back?” Ric asked Hanssen. “When you most need me, I imagine,” was the response, which was a fabulous reply because it already has me thinking of some future episode when everything is looking dire and dreadful, and suddenly – there he’ll be, looming and magnificent in a nice suit, to save the day. I also loved what Simon Harper said on Twitter: “Hanssen is Aslan to Holby’s Narnia, he comes and goes and sometimes has other lands to attend to.” Continue reading
(Series 18, ep. 20) No news about Ric and the pain in his side this week. He was briefly glimpsed and he seemed healthy enough – no sign of a “Nnngh!” So maybe he’s fine after all.
Or maybe, if his cancer has come back, it’s just been parked for a while as the ever-circling poo bird of fate prepares to drop its load on poor Digby.
While having a blood test to see if he could donate a bit of his liver to Morven’s dad, Digby took his top off in case he barfed down it. Essie didn’t think to hand him a cardboard sick bowl, because she was too busy staring at
his manly physique a mole on his back. Continue reading