(Series 21, ep. 13 ‘Running’ by Tony Higgins 26.3.19) Pop over to Metro for a full review of the episode. But first…
– I’ve already said on Metro that I’m not keen on the Ange/Dominic storyline. Possibly it’s in large part because I still haven’t warmed to Ange as a character and anything that upsets the glorious Carole Copeland is not fine with me at all. I should wait to see how the drama plays out in the coming weeks, I suppose. Am I just letting my fondness for Carole get in the way of a jolly good plot development?
– In another upsetting plot development, it seems that Frieda has gone again. She’s taken the obligatory box of whatever she keeps in her locker, and Gary the dog, and gone off to do Good Works. I hope it’s not long before she’s back again, because there is no character like her and she’ll be missed. And she’s left a load of boxing stuff in the basement.
– I was amused by Zav calling Cameron ‘Silver Spoon.’ If only he’d met Joseph Byrne, son of Lord and Lady Byrne… (Sorry, I wandered off into a Joseph-based daydream there. I’m back now). I still want the old Cameron back, though – the one who was good enough for Morven to fall in love with.
– Frieda and Ange both had their radio alarms tuned in to the same station. Even if Holby FM is the only station destination on the Holby dial this would not happen. Unless Frieda was listening to T’Pau ironically.
– It’s not all doom and gloom, though. Sacha was back and he’s all better. Hurrah!
(Series 21, ep. 11 ‘A Simple Lie Part 1’ by Patrick Homes 12.3.19) Bob over to Metro for my full review of tonight’s episode. But first…
– ‘Angel’ Godard? Seriously? Was that just so someone could scrawl ‘Angel of Death’ on her parking space? Or did her parents think it went well with the God bit of Godard? Maybe she has a brother called Jesus.
– I’m worried about the security arrangements in that creche. Theo was left to wander around willy-nilly.
– Marianne Oldham and Christopher Harper have been excellent as Holly’s parents. The parents being estranged has added another layer to an already complex set of feelings and they’ve both conveyed it all in a quietly powerful way.
– Cold tomato soup. Ugh.
– Fletch and Ange as a romantic couple? About as appealing as cold tomato soup.
– The thing Ange told Holly about that once happened that she thought she could deal with. Is this going to have something to do with Dominic?
– Mention His Name and He Will Appear: in this case, Chloe’s boyfriend Evan, who was mentioned this week and whom we will meet tonight in the form of Jack Ryder from EastEnders.
– Fletch was really a bit careless letting Theo scoot around a car park. But having a child disappear is every parent’s nightmare. I once lost sight of a then three year old PLA Jr in WH Smith’s for 30 seconds and the experience has haunted me for over 15 years. #PrayForTheo
– I very much enjoy Naomi Katiyo’s work as Darla. And in Stanley Rabbetts the casting department have found yet another brilliant Fletchling.
– Mention Her Name and She Will Appear: Fleur Fanshawe got a little mention this week but wasn’t seen. She was glimpsed in the spring trailer, though, so She Will Appear soon.
– Mention His Name and He Might Appear, Please? There was a lot of discussion about Oliver Valentine between Frieda and Zosia. Frieda’s love of Ollie was a delightful and fragile thing. How blissful it would be if he was the father of Zosia’s baby and returned to Holby.
(Series 21, ep. 5 ‘Mad As Hell’ by Martin Jameson 29.1.19) For a full review of this episode pop over to Metro. Before you go, one or two random thoughts.
– I really enjoyed the medical/political slant to this episode. The pressures on the NHS and the dedication, commitment and frustration of the staff working in it were brought out in dramatic style. Because the message was carried in the specific human stories of Gareth Gannon (who was heartbreaking – nice work from Trevor Georges), Tavia Milner’s grandmother and Denise Mullins, it didn’t feel that we were being preached to. We felt the dilemmas that Ric and co. faced right along with them.
– Hugh Quarshie is always magnificent in this kind of storyline. While Serena and Zav were taking the increasingly pressured situation with the sort of humour that I imagine real-life medics have to deploy to keep functioning, Ric had got to a point where he could no longer ignore how bad things were getting. I wonder whether Ric’s megaphone speech will ‘go viral’? Will he be an internet sensation this time next week?
– I was so sad that Frieda had to lose her dog, and was hoping that its owner would decide she could keep it after all. Hurrah for Jac coming up with a substitute. I thought it was hilarious that Emma was on board with the decision to offload Gary – she’s clearly her mother’s daughter and prioritises practicality over sentiment.
– The scene where Frieda broke down and cried about Roman (and the dog) was incredible.
– You know you’re getting old when CT surgeons start looking younger every day, but Chloe Godard does look awfully young to be a hotshot CT surgeon. And that’s in a hospital that already has ‘Foetus and Fauntleroy’ on the staff.
(Series 21, ep. 4 ‘A Daring Adventure Or Nothing At All’ by Isla Gray 22.1.19) For my full review of this episode head over to Metro. But a couple of things before you go…
– I felt so sorry for Frieda, because I could really believe in her and Roman as a couple. Not least because of the beautiful way she says his name. I had to google about opening the window to let his soul out, to check it was really a thing, but somehow I knew from the way she did it that it is a thing. It’s a very beautiful thing, I think. I’m glad that at least before Roman died he had a chance to show Frieda that he really was the man she’d always loved.
– Now I want to talk about the decor in the YAU (Yow!). First of all, where did the cash-strapped NHS find the money for all that etched glass and whatnot? And secondly, isn’t a bit patronising to think the young adults need surrounding with the bright colours and cartoony shapes of play school?
– And why isn’t anybody (Sacha?) kicking up a fuss about having half of Keller carved off for the YAU?
– I’m not really getting the Foetus/Fauntleroy rivalry. One minute they’re friends(ish – going to karaoke together at least), the next minute they aren’t. For Nicky it’s a bit of a replay of what she went through with Meena.
– Mia is very amusing. She talks like an adult, but in a believable way. I really like the Mia/Donna/Zav combo.
– And for anyone who would like to know more about Pathological Demand Avoidance (as seen in the Ellen/Ange storyline) there’s a useful website here.
(Series 20, ep. 44 ‘The Family You Choose’ by Johanne McAndrew and Elliot Hope 30.10.18) This week’s in-depth review can be found over at Metro, but before you go here are a few random thoughts.
– That lift dropping gave me the horrors. I have actually been in this situation in the Empire State Building of all places – the lift dropped from the 80-something floor to the 60-something with me, Mr H and Ms H and assorted other tourists inside. As soon as we pressed the panic button for assistance the display changed to floor 2 – probably so we didn’t panic. I panicked anyway, but I’m British so I did it quietly and passive-aggressively (this was mainly directed at the group of French teenagers who thought it might be fun to jump up and down while we waited).
– I’ve also been stuck in a lift very briefly at ITV in London. If I’m going to be stuck in a lift it must be at a prestige location.
– I’m very much enjoying the little bromance between Jason and Xavier. And Jules Robertson has been doing brilliant work with Jason’s character. His comic timing is wonderful.
– Halloween and Frieda were made for each other, really, and today’s outfit was perfect for the occasion while not frightening the patients. And I loved Frieda’s reaction to news of the lift dropping: ‘How exhilarating.’
– It seems that Jac and Fletch isn’t going to happen, which is good news as far as Team Joseph & Jac 4 Eva (i.e. me) is concerned. But my goodness, Rosie Marcel and Alex Walkinshaw are incredible together. That scene where he was talking about a parallel universe, you could almost hear this universe holding its breath for a minute or two. Stunning work.
– The actual lift plummet situation looked far more dramatic on the autumn trailer than it did in the episode, but it was an interesting way to get various story strands spread over more people, and I’m sure we’ll be seeing the consequences in the coming weeks. Possibly Meena will now start to join the dots more about Gaskell and the come-uppance he so richly deserves will be heading his way. Or not.
– Quick plug for the Holby book. It genuinely is almost sold out everywhere and there won’t be any more, so if you’ve been thinking it’s a perfect Christmas gift idea it’s best not to hang around (unless you want a soggy second-hand one from eBay).
(Series 20, ep. 39 ‘Undoing’ by Nick Fisher 25.9.18) Head over to Metro for a full review of this episode, but before you go here are a few additional thoughts.
– Just when you think the Gaskell storyline can’t get any darker and more twisted, it gets darker and more twisted. Paul McGann has been genuinely terrifying in the last few episodes, as Gaskell has shown he’ll go to any lengths to carry on his research. It’s like there’s a ligature in his own head that shuts off any compassion and empathy that might risk diverting him from his path.
– I’m going to miss Roxanna. I liked her as a character and Hermione Gulliford as an actress. I’m sad that Roxanna never had the chance to go out for a night on the Shiraz with Serena because she always had something else to worry about. From spending weeks frowning at Oliver Valentine trying to will him to recover, to spending weeks frowning at Professor Gaskell, she’s never had a chance to relax.
– Of course Hanssen is going to miss her the most. His line in this episode, ‘I can’t lose anyone else, John,’ shows us that he’s really going to struggle to cope. Maybe Sacha and Frieda can invite him to join Holby Fight Club?
– Fletch really needs to sort his children out. It just isn’t on to have them wandering around the hospital all day long, even though I do enjoy seeing them.
– I loved Jac and Frieda giving Fletch advice about how to handle his teenage daughter. Though I can’t imagine that either of them was exactly what you’d call an average teenage girl.
– Frieda looked amazing in her boxing gear and I think they should rush out an action figure of her in time for Christmas. She’d be an excellent role model for all the un-average teenage girls. And boys.
– It’s lovely to have Sacha back and it’s very nice that he’s got a new hobby. I wonder if being in the basement gives him flashbacks to when he had a room there full of all the stuff that Chrissie didn’t want him to have hanging around at home?
(Series 20, ep. 37 ‘All Lies Lead to the Truth’ by Robert Goldsbrough 11.9.18) This week’s review can be found over at Metro. Before you go, here are some random musings about the episode.
– Is Meena’s new car cursed? She’s had a terrible time ever since she got it, with a miserable birthday followed by a Boxing Birthday (or is it just my house where we have those?) in which she reverses into Serena’s car and later on knocks down a fleeing neurosurgeon. If I was Meena, I’d be getting that car swapped for something a little less haunted, ASAP.
– I thought Roxanna’s spying on Gaskell was really suspenseful. The bit where she was snooping around the wet lab and he was walking along the corridor was scary. I’m still not sure how she got out. Did she find a secret back door? Or had she gone out of the front door before Gaskell turned the corner?
– And then when she revealed to him what she knew and he turned the tables by trying to tell her that she wasn’t well. Will she wake up and manage to tell Hanssen what she knows before Gaskell can go any further? Or is the staff member with the best quiff since Fletch already destined to be a commemorative plaque in the Linden Cullen Memorial Shrubbery? Continue reading