(Series 21, ep. 14 ‘Ask No Questions’ by Kathrine Smith and Michelle Lipton 2.4.19) Pop over to Metro for my full review of this episode.
I have a couple of things to add:
– As I expected, Carole totally broke my heart in this episode. The way she sat outside all day long, hoping Dominic would come out and talk to her. I loved how he left her his coat.
– I feel so sorry for Dominic. No sooner has he built himself up after Arthur and Isaac than this happens. It’s a really bad idea to be a popular Holby character – they put you through all sorts.
– Evan’s little sabotage of Cameron was interesting. I wonder whether this is the start of another Holby villain, or whether he was just doing what he had to do to secure the affections of the fragrant Chloe.
– Heartbreak ahead for Mia! This could be a very sad story indeed.
– What does being a Junior Doctor Lead involve, exactly? Cameron didn’t seem to do very much leading while he was in post. He didn’t even get a special uniform. Essie would have insisted on one, because she loves a special uniform.
– Why has Zosia never had a scan? What is she afraid of? Is she further along (or not as far along) in her pregnancy than she’s claiming? Is she worried that something might be wrong? Could this be connected to the potential father? I just had a thought – maybe she’s worried it’ll be twins. Non-identical twins can run in families. Who do we know who was a twin?
(Series 21, ep. 13 ‘Running’ by Tony Higgins 26.3.19) Pop over to Metro for a full review of the episode. But first…
– I’ve already said on Metro that I’m not keen on the Ange/Dominic storyline. Possibly it’s in large part because I still haven’t warmed to Ange as a character and anything that upsets the glorious Carole Copeland is not fine with me at all. I should wait to see how the drama plays out in the coming weeks, I suppose. Am I just letting my fondness for Carole get in the way of a jolly good plot development?
– In another upsetting plot development, it seems that Frieda has gone again. She’s taken the obligatory box of whatever she keeps in her locker, and Gary the dog, and gone off to do Good Works. I hope it’s not long before she’s back again, because there is no character like her and she’ll be missed. And she’s left a load of boxing stuff in the basement.
– I was amused by Zav calling Cameron ‘Silver Spoon.’ If only he’d met Joseph Byrne, son of Lord and Lady Byrne… (Sorry, I wandered off into a Joseph-based daydream there. I’m back now). I still want the old Cameron back, though – the one who was good enough for Morven to fall in love with.
– Frieda and Ange both had their radio alarms tuned in to the same station. Even if Holby FM is the only station destination on the Holby dial this would not happen. Unless Frieda was listening to T’Pau ironically.
– It’s not all doom and gloom, though. Sacha was back and he’s all better. Hurrah!
(Series 21, ep. 7 ‘Good Side’ by Ed Sellek 12.2.19) Before you head over to Metro for this week’s review, I have a few more random thoughts about the episode.
– Call me a horrible person if you like (only do it behind my back rather than to my face), but the ‘shall we switch Holly off?’ story irritated me a bit. I know it’s dramatically huge and is a heartbreaking decision for anyone in that situation. But scene after scene of Ange looking anguished gets a bit trying, doesn’t it? And why does hot-shot Ange need Fletch to tell her that it’s her job to make the tough decisions?
– I enjoyed Mr Burman-Roy. He was a properly funny, eccentric character and he gave Cameron a much-needed reality check.
– I also enjoyed Carole Copeland, who is always glorious. Her scenes with Zav were lovely.
– Line of the week was Hanssen to Zav: ‘You have glitter.’ I know it doesn’t look like a great line on paper, but it was the way he said it. Magnificent.
(Series 21, ep. 6 ‘Force Majeure’ by Elliot Hope and Johanne McAndrew 5.2.19) For my full review, get yourself over to Metro (and peruse all the other excellent Holby City content while you’re there). But before you immerse yourself in all that, I have a few things to add.
– It seems odd that Ric is having all of these ‘cash-strapped NHS’ battles on AAU, while only a few floors above Ange can bring in her daughter as a locum CT surgeon more or less just to help her persuade one patient to have an operation. And don’t get me started on the gaudy decor and bright yellow chairs in the YAU (Yow!). Someone somewhere needs to get a grip on the finances.
– It was very amusing that everyone on AAU was putting their best face on while Ric was sort of hoping for them all to be ankles-deep in blood and vomit to show Francoise how desperate things were.
– Why was that busker out in the dark by the Raf Di Lucca Memorial Lump? It seemed very random, and a little bit dangerous for her when you think about all the shady stuff that’s gone on in that shrubbery over the years.
– The nurses apparently call Cameron ‘Camo’ because he’s nowhere to be seen. This is mostly applicable when there’s a bar bill to pay.
– Emma Curtis, who played Holly, did a really nice job of making Holly frustratingly stubborn but quite sweet and vulnerable at the same time. Her story was really sad, though imagine how many more shades of horror Holly might have had to go through if Professor Gaskell and his ‘miracle cures’ were still a thing.
(Series 21, ep. 4 ‘A Daring Adventure Or Nothing At All’ by Isla Gray 22.1.19) For my full review of this episode head over to Metro. But a couple of things before you go…
– I felt so sorry for Frieda, because I could really believe in her and Roman as a couple. Not least because of the beautiful way she says his name. I had to google about opening the window to let his soul out, to check it was really a thing, but somehow I knew from the way she did it that it is a thing. It’s a very beautiful thing, I think. I’m glad that at least before Roman died he had a chance to show Frieda that he really was the man she’d always loved.
– Now I want to talk about the decor in the YAU (Yow!). First of all, where did the cash-strapped NHS find the money for all that etched glass and whatnot? And secondly, isn’t a bit patronising to think the young adults need surrounding with the bright colours and cartoony shapes of play school?
– And why isn’t anybody (Sacha?) kicking up a fuss about having half of Keller carved off for the YAU?
– I’m not really getting the Foetus/Fauntleroy rivalry. One minute they’re friends(ish – going to karaoke together at least), the next minute they aren’t. For Nicky it’s a bit of a replay of what she went through with Meena.
– Mia is very amusing. She talks like an adult, but in a believable way. I really like the Mia/Donna/Zav combo.
– And for anyone who would like to know more about Pathological Demand Avoidance (as seen in the Ellen/Ange storyline) there’s a useful website here.
(Series 21, ep. 3 ‘The Burden of Proof’ by Gerard Sampaio 15.1.19) For my full review, pop yourself over to Metro. But before you go, here are a few random thoughts.
– ‘Oh please, can we keep her?’ I think everybody will have been nodding along with Serena’s wish to have Lola Griffin/Williams on AAU every Tuesday until the end of time. Sharon D Clarke is fabulous in the role – charming, feisty, charismatic, she has an almost magical way with patients and staff alike. I absolutely love her.
– I didn’t think Dominic’s ‘lie’ about being useless at Physics was a big deal, really. It was just an awkward attempt to bond with Harriet rather than a reversion to his ‘Psycho Dom’ days. The exaggeration of his experience in the surgical procedure was more serious, but what doctor on Holby hasn’t occasionally done that? Cut him some slack, Ange.
– Is it just me, or does Holby get an unusual number of patients (and staff) who want to join, or have already joined, the army?
– I’m very glad we didn’t have to witness Nicky and Cam at Albie’s karaoke night. If there’s two things I can’t cope with on TV it’s karaoke scenes, and people who can’t dance trying to dance (hence why I can’t watch Strictly). And nosebleeds. That’s three things.
– I’m excited to see what Lofty gets to wear for his new job of Discharge Coordinator. Maybe he can wear the green scrubs that Essie used to have when she was Transplant Coordinator? Not the exact same ones because I shouldn’t think they’d fit.
– What on earth were Lola and Ric up to to get him that head injury? On second thoughts, best not to dwell on that one.
(Series 21, ep. 2 ‘China Crisis’ by Joe Ainsworth 8.1.19) Happy new year, Holby fans! The review for this episode is over at Metro, and now I’ve come out of Christmas hibernation I can summon up a few additional random thoughts about it.
Tom Campbell-Gore succumbed to the Curse of the Holby Relative/Friend/Staff Member fairly easily, didn’t he? It’s a shame, really, as I was rather enjoying his arrogant ways. And enjoying Serena putting him in his place very much.
I rather like Ange at first sight, though she does remind me of Colette Sheward in a practical, sleeves-up, no-nonsense kind of way.
Has the YAU (I hear that in my head as a James Brown sort of ‘Yow!’) been conceived so that Holby can nurture the next generation of young acting talent by bringing in lots of Young Adults? It would be very commendable if so, but I do get a bit vexed by these ‘units’ that take over perfectly sensible wards. It’s usually Darwin that gets corners of it stolen by other departments, but they always get their territory back in the end. I wonder how long the YAU will last before someone decides they need the beds back?
Essie does love a Special Uniform, doesn’t she?
Cameron’s appearance on Darwin prompted some of the best lines of the week (‘That’s all I need, another pound shop Hugh Grant’ and the line about ‘Foetus and Fauntleroy’ from Jac), but I think my favourite line in the whole episode was ‘Serena Campbell. No Gore.’
The scenes between Lorraine Chase and Jaye Jacobs were beautiful.