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Masterchef: The Professionals. Ho, ho, ho…

by Maggie Gordon-Walker

Time once more for Masterchef: The Professionals; the hardhitting juggernaut, with nary a festive cheer, especially unseasonal since it was filmed in summer. And we’ve got a new title sequence to admire, where our three presenters turn to the camera as if they’re being sent to their doom, especially Marcus Wareing, who looks up with wounded rabbit eyes, resembling a bearded Elisabeth Moss in The Handmaid’s Tale.

I was asked to share some thoughts on the latest MC instalment, which gets ever harder with this iteration. I mean, the line-up is almost always 95% young, white males, with varying amounts of Ts & Ps (tattoos and piercings). Slightly less Ts & Ps than I remember from a year or so back, although the recently dispatched John had those things, which are all hole and no earlobe. Like a pair of giant hula hoops either side of one’s bonce. I’ve just looked up what they’re called: ‘flesh tunnels.’ Well, that’s appetising, isn’t it…?

I didn’t mind John though, ear decoration aside. He was, whisper it, not actually cowed and grovelling, having the temerity to look somewhat irked in an earlier episode when receiving criticism. Through pursed lips, he declared in the VT that he thought what he’d produced was good and should have got better feedback. Dear God man, that’s like telling the Daleks to calm down a bit. He wasn’t aquiver with gratification at the prospect of The Mighty Shrek bestowing one of his favourable culinary bon mots…. ‘deep and meaty’, for example. It was definitely The Big E when Marcus declared smugly that John’s unravelling at the pop-up kitchen was ‘a classic example of a chef who’s not tried and tested’, with all the delight of someone finding an unexpected fiver on the pavement. (A special moment of scorn here for their notion of the ‘pop-up’; which takes place in an industrial hangar in the arse end of nowhere, with a fleet of servers with the word STAFF emblazoned on their T-shirts in the way no pop-up ever does).

So, at the time of writing, there’s six left. They mostly merge into one amiable, slightly anxious youth. Except Portuguese Daniel, who carries all the worries of the world upon his skinny shoulders. The lad is haunted. If this were the film version (dear God no, I couldn’t take Shrek in close-up), he’d be played by Steve Buscemi. You have the feeling you’d like to edge the knives away from him, just in case, but then he breaks into a smile. However, the real characters have all gone, along with the diversity. Such as Charath, who was the undeserved recipient of Marcus’ little moue that his curry should have had rice to mop up the sauce, not bread. Eh?! What’s the bread doing there then, knitting a jumper?!

Well now, onto the judges and let us consider Shrek some more, aka Gregg Wallace, which lends itself beautifully to Egg. The fact that he’s still there is a mystery, as he has neither wit nor knowledge to bring to the table. A couple of times in this series he’s held a different opinion to Marcus and Monica (the actual experts), as to the quality of what he’s eating. I did catch an irritated glance from Marcus at one of Egg’s utterances, yet it doesn’t seem to be enough to shift him. The contestants occasionally murmur that they were sorry Gregg didn’t like something they’d spent hours sweating blood over. Why are they not inwardly screaming in horror at having to pay heed to the ex-greengrocer with a failed restaurant…? Sorry, TWO failed restaurants. But the one thing he used to do right, THE ONE THING, Greggy-boy, was LOOK like an egg. Now he’s slimmed down so much he’s almost thinner than Monica. As far as I know Wife Number Four is working out ok, putting paid to the notion that people in relationships get tubbier (cf his erstwhile presenter Torode). It’s a pickle. Maybe even a pickled egg.

The most entertaining contestant by far was Nic, way back in the early rounds. My friend pondered if he’d imbibed too much coke in the dressing room (and not the stuff you drink), as the man DID NOT STOP TALKING. Certainly, the patter meant he couldn’t cook effectively, but the fact that he out-geezered Shrek by a million apples and pears is worth anyone’s licence fee. The heats had a couple of other amusing moments. In one challenge they were presented with a tin opener and told to knock something up. They looked as flummoxed as if they’d been given a monkey wrench and a couple of feather dusters and told to create a meringue with them. I know they’re all about their fine dining and/or foraging, but surely one of them has made something with a tin of tomatoes before? Another time they were exhorted to make something ‘with colour’. That’s definitely the result of someone on the production team on the happy sauce. I’m yet to think of something I’ve eaten that has entirely NO colour to it, but I’ll be sure to rush to tell the world when I do.

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Masterchef: The gladiators

Guest post by Maggie Gordon-Walker

masterchef professionalsSo here we are in the latter stages of the competition and we can all rest easy. Any competitor who isn’t young, white and male has been eliminated. Phew, that’s better isn’t it? It being the Pro version we need a man to voiceover it so here’s Sean Pertwee (not exactly the eponymous Doctor is it, Sean?) giving us the lowdown on the sous vides, the purees and the foams. Ah yes, the foams, that irritate Marcus Wareing to such an extent that he’s in more of a lather than the foam is, which is puddle-like by the time the judges get to it. No surprise really. The strictures of the filming mean the food is always cold when the judges taste it (someone who’d been on the show told me).  Continue reading

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