Tag Archives: Marcus Griffiths

Holby City: So sad for Frieda

(Series 21, ep. 4 ‘A Daring Adventure Or Nothing At All’ by Isla Gray 22.1.19) For my full review of this episode head over to Metro. But a couple of things before you go…

– I felt so sorry for Frieda, because I could really believe in her and Roman as a couple. Not least because of the beautiful way she says his name. I had to google about opening the window to let his soul out, to check it was really a thing, but somehow I knew from the way she did it that it is a thing. It’s a very beautiful thing, I think. I’m glad that at least before Roman died he had a chance to show Frieda that he really was the man she’d always loved.

– Now I want to talk about the decor in the YAU (Yow!). First of all, where did the cash-strapped NHS find the money for all that etched glass and whatnot? And secondly, isn’t a bit patronising to think the young adults need surrounding with the bright colours and cartoony shapes of play school?

– And why isn’t anybody (Sacha?) kicking up a fuss about having half of Keller carved off for the YAU?

– I’m not really getting the Foetus/Fauntleroy rivalry. One minute they’re friends(ish – going to karaoke together at least), the next minute they aren’t. For Nicky it’s a bit of a replay of what she went through with Meena.

– Mia is very amusing. She talks like an adult, but in a believable way. I really like the Mia/Donna/Zav combo.

– And for anyone who would like to know more about Pathological Demand Avoidance (as seen in the Ellen/Ange storyline) there’s a useful website here.

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Holby City: Dofty together, Berena apart

(Series 20, ep. 50 ‘The Right Sort of Animal’ by Ed Sellek 11.12.18) Pop over to Metro for a full review of this glorious episode. Before you go, some random thoughts.

– How fabulous was this episode? I love the quirky things that Ed Sellek puts in his scripts and there were loads of them here. Xavier’s reference to The World According to Garp (telling Serena she was ‘pre-disastered’) has shot him right up in my estimation, and there was another literary reference with Morgan the Organ – the poor man who got hit right in the middle of Pachelbel’s Canon (ouch). The stained glass face stuck in Lexy was brilliant too.

– Reverend Richard Coles’ appearance was really nicely done. His character Henry De Havilland added to the general quirkiness of the wedding in a really joyous way.

– Greta (Zoe Croft) looked absolutely beautiful.

– I also loved Greta’s advice to Dom. Both Greta and Jason are great at getting straight to the heart of things and cutting through the nonsense.

– It was nice to hear Lee Mead using his singing talents, and well done to David Ames for being able to be sung at without going bright red and giggling. Or is that just me?

– It was also lovely to have a Dofty wedding. I was so happy I forgot (till it was over) that Carole Copeland and Sheilagh Chiltern weren’t even there. Luckily both of them will be making appearances in the next few months (see the winter trailer) – but will they ever meet?

– I have a lot of thoughts about Berena, which you can read about in a separate piece over at Metro.

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Holby City: The race to save Jac

(Series 20, ep. 47 ‘One of Us’ by Katie Douglas 20.11.18) Please pop over to Metro to have a look at my full review/recap of the episode, but before you go here are a few more thoughts.

– Sacha and Fletch, eh? If you ever wanted a sign that Jac Naylor is deep down a lovely, lovely person, you need only look at the amount of love for her shown by these two men. Absolutely adorable.

– And, talking of adorable – Mo Effanga. Casualty fans may recall after paramedic Jeff died and the ED staff were finding it hard to cope, Connie Beauchamp got Dr Zoe Hanna to come back, because what was needed was a people person with heart, warmth and compassion. That’s what we have in Mo. She’s the anti-Gaskell, sent to soothe us and make us smile and I couldn’t have been more pleased to see her.

– I also loved seeing Selfie, which isn’t a sentence that at one point I could have imagined saying, but there you go. John Michie played this episode perfectly, with Selfie fully aware of his own tarnished reputation, a slightly more humble and self-aware person but still (thankfully) confident in his skills.

– You have to wonder how Hanssen is holding himself together after everything that he’s been through. He truly is made of the finest Swedish steel.

– Donna and Zav really are a very lovely couple. I like how he’s like a snail who gets back in his shell whenever life gets too tricky or things get too personal, but Donna is nothing if not persistent. And she has a smile you’d have to be Gaskell to resist.

– Word of the day: ‘flirtingship.’

– Holby book news: There are hardly any left anywhere now. Thank you to everyone who bought one and especially everyone who got in touch or left reviews – I’m so happy that you enjoyed reading it and that it did justice to the brilliant work the people at Holby City do every week. For those who didn’t manage to get a copy yet, SilverWood books might still have a couple, but otherwise your best bet is to get it in ebook form (Kindle, Nook or Kobo).

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Holby City: Love and an elevator

(Series 20, ep. 44 ‘The Family You Choose’ by Johanne McAndrew and Elliot Hope 30.10.18) This week’s in-depth review can be found over at Metro, but before you go here are a few random thoughts.

– That lift dropping gave me the horrors. I have actually been in this situation in the Empire State Building of all places – the lift dropped from the 80-something floor to the 60-something with me, Mr H and Ms H and assorted other tourists inside. As soon as we pressed the panic button for assistance the display changed to floor 2 – probably so we didn’t panic. I panicked anyway, but I’m British so I did it quietly and passive-aggressively (this was mainly directed at the group of French teenagers who thought it might be fun to jump up and down while we waited).

– I’ve also been stuck in a lift very briefly at ITV in London. If I’m going to be stuck in a lift it must be at a prestige location.

– I’m very much enjoying the little bromance between Jason and Xavier. And Jules Robertson has been doing brilliant work with Jason’s character. His comic timing is wonderful.

– Halloween and Frieda were made for each other, really, and today’s outfit was perfect for the occasion while not frightening the patients. And I loved Frieda’s reaction to news of the lift dropping: ‘How exhilarating.’

– It seems that Jac and Fletch isn’t going to happen, which is good news as far as Team Joseph & Jac 4 Eva (i.e. me) is concerned. But my goodness, Rosie Marcel and Alex Walkinshaw are incredible together. That scene where he was talking about a parallel universe, you could almost hear this universe holding its breath for a minute or two. Stunning work.

– The actual lift plummet situation looked far more dramatic on the autumn trailer than it did in the episode, but it was an interesting way to get various story strands spread over more people, and I’m sure we’ll be seeing the consequences in the coming weeks. Possibly Meena will now start to join the dots more about Gaskell and the come-uppance he so richly deserves will be heading his way. Or not.

– Quick plug for the Holby book. It genuinely is almost sold out everywhere and there won’t be any more, so if you’ve been thinking it’s a perfect Christmas gift idea it’s best not to hang around (unless you want a soggy second-hand one from eBay).

(Pictures: BBC)

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Holby City: I see dead people

I see Roxanna! (Picture: BBC)

(Series 20, ep. 42 ‘Stains’ by Patrick Homes 16.10.18) For this week’s review click over to Metro, but before you go here are a few random thoughts:

– Donna and Zav – is ‘Zonna’ ever going to be a Thing, do you think, or are they just going to continue having these Moments? When he told Alex that she was in her late thirties with two sprogs and she didn’t need the likes of either of them, I think he was speaking more about his own insecurity. Or is he really a twonk?

– Hurrah for Sacha and his clear-sighted assessment of Prof Gaskell, and having the balls to tell him to his face. At least there’s one person at Holby who doesn’t subscribe to the Cult of Gaskell. Sadly Hanssen seems just as far away from learning the truth as ever. What’s it going to take to expose the Prof’s crimes? Or will it go undetected and poor Roxanna will have died in vain? Surely that can’t happen?

– Essie was getting very judgemental about that murderer patient, wasn’t she? Particularly when you remember the rather ugly history of her own grandfather. Then she went and told Hanssen what a genius Gaskell is and completely threw him off the scent. Oh, Essie! Not your finest week.

– When the murderer asked Gaskell to kill him and Gaskell didn’t, it shows that he does have ethics – but in Roxanna’s case ethics were over-ridden by the necessity to keep his trial going, come what may. If I’m being kind I might call him a ‘bigger picture’ kind of guy.

– When Steven was talking confidently about nits to Jac, and Fletch said Steven had never so much as been near him with a nit comb when he was a kid, I thought Steven’s life-changing secret was going to be that he had a secret other family somewhere that Fletch never knew about and he’d spent many years happily examining his children’s heads for lice in a way he’d never done with Fletch.

– An insight into the writer’s thinking: episode writer Patrick Homes (@PatrickHomes) tweeted yesterday ‘Tonight’s episode of #holbycity was written listening to Pixies “Where is My Mind” on an endless loop. It may or may not show…’

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Holby City: Sibling rivalry

(Series 20, ep. 41 ‘The Three Musketeers’ by Joe Ainsworth 9.10.18) For a full review of this episode, head over to Metro. Before you go, a few additional points:

– What a brilliant bit of acting from Marcus Griffiths as Xavier sat in the Linden Cullen Temple of Anguish (AKA the multi-faith room/prayer room/whatever). Holby actors seem to be very good at crying on demand. It must make them very tricky to live with.

– It was a nice outcome to find that Reg didn’t have dementia and wasn’t being beaten up by Alex, but had a treatable condition after all. Maybe he’ll get well enough to become a porter.

– Hanssen is holding himself together well, but Guy Henry is such a superbly subtle actor that you can see the emotion just under the surface. He’s channelling his love for Roxanna into caring for Gaskell, and when and if the story fully comes out about what he’s been up to – well, it’ll be a double blow and I honestly don’t know how Hanssen will start to cope with that.

– There’s definitely chemistry between Donna and Xavier. Is he the kind of man who’d be happy to have a girlfriend with two children, though? He’s always seemed a bit of a player, so we’ll have to see.

– There’s been a mixed reaction to Leah’s pursuit of Serena, and I can see why. If you’re very invested in the Berena relationship then it’s not easy to think of Serena even contemplating anyone else. Quite possibly she’s going to carry on rejecting Leah and be happy with her long-distance love, but it’s interesting to see her being tested. It also made for some very funny scenes, especially when Ric and Serena were inside the office and Leah was outside, fully aware that Serena was listening to everything she was saying.

– Scary Sue needs to be a regular character. Sometimes new people arrive on Holby and it takes a little while to work out who they are as characters. I feel like we already know Sue, thanks to the way the writers have brought her in and Angela Lonsdale’s funny, clever portrayal of her. And of course you can never have too many Sues.

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Holby City: Look out!

(Series 20, ep. 37 ‘All Lies Lead to the Truth’ by Robert Goldsbrough 11.9.18) This week’s review can be found over at Metro. Before you go, here are some random musings about the episode.

– Is Meena’s new car cursed? She’s had a terrible time ever since she got it, with a miserable birthday followed by a Boxing Birthday (or is it just my house where we have those?) in which she reverses into Serena’s car and later on knocks down a fleeing neurosurgeon. If I was Meena, I’d be getting that car swapped for something a little less haunted, ASAP.

– I thought Roxanna’s spying on Gaskell was really suspenseful. The bit where she was snooping around the wet lab and he was walking along the corridor was scary. I’m still not sure how she got out. Did she find a secret back door? Or had she gone out of the front door before Gaskell turned the corner?

– And then when she revealed to him what she knew and he turned the tables by trying to tell her that she wasn’t well. Will she wake up and manage to tell Hanssen what she knows before Gaskell can go any further? Or is the staff member with the best quiff since Fletch already destined to be a commemorative plaque in the Linden Cullen Memorial Shrubbery?  Continue reading

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