Tag Archives: Lucinda Dryzek

Holby City: The one with the mangoes

(Series 19, ep. 23) What a cracker of an episode. It had hangovers. It had fruit-based plot devices. It had some seriously nasty stuff from Isaac. And it had some top quality Henrik Hanssen looming and one-liners.

After a night of heavy drinking, Dominic woke up in the on-call room with a mango. Meanwhile Isaac had been “partying” with someone called Jamie (Benjamin Wainwright)who’d been at Albie’s the night before. Dominic only found out about this because Jamie was brought to Keller as a patient, suffering from the after effects of alcohol and drugs. He was brought from the ED, and when Noel off of Casualty popped up to return his wallet, he  told Dominic that Jamie had been dumped in the ED by a man. And, by coincidence, it was That Man Sitting Over There – Isaac Mayfield.  Continue reading

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Holby City: Fighting the right fight at the right time

(Series 19, ep. 22) Jac and Jasmine seem like chalk and cheese, but it was no coincidence that the day of this episode was supposed to be their mother’s birthday. The legacy of Paula lives on in both of them. They both push themselves ridiculously hard in order to prove that they’re worth love, or respect or – well, just worth their place in the world. In Jac’s case she has a core of steel and the independence borne of having to more or less bring herself up. Jasmine, who had a lot more contact with the toxic Paula, tries hard both in work and (unlike Jac) to get people to like her, makes some bad decisions due to her inexperience, and then blunders on into more mistakes. It just occurred to me that what a person like that needs in a mentor is someone calm, wise and relaxed. Someone like Elliot Hope.  Continue reading

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Holby City: What doesn’t kill you

holby-serena(Series 19, ep. 21) There was ninja-level acting in AAU this week, as Serena’s “what doesn’t kill you makes you a better F1” mentoring of Jasmine reached critical point. Catherine Russell showed yet again what a great range she has as an actor – there was no sign of cheeky, Shiraz-swilling Serena as grief for her daughter has made her more angry, upset and confused than she knows how to deal with. Some of her scenes were heartbreaking – especially the little moment when she looked at her sleeping patient and you knew she was picturing Elinor, her meltdown in front of all the staff and her speech to the counsellor at the end.

Lucinda Dryzek has also been excellent in this storyline. Jasmine’s whole body language has changed – she’s tired, worn down, stressed out. But you never lose the feeling of who she essentially is – the perky, lively, optimistic person who seems to be the opposite of her sister.  Continue reading

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Holby City: The scary shouty lady and the frankly terrifying man

isaac-holby(Series 19, ep. 20) Imagine the scene. You have a cage fighter with anger management issues and a grudge, trapped in a lift with one of Holby’s premier surgeons. And the cage fighter is not the scary one.

Marc Elliott was absolutely mesmerising in this episode. From almost the first scene, when he saw Dominic talking to another man (the cage fighter, Adam, who was a patient) when he’d said on the phone he was with Zosia, Isaac Mayfield was in A Very Bad Mood Indeed.  Dominic was the obvious target of his wrath, but in provoking Adam, who was already angry and frightened and embarrassed about his planned surgery (for breast cancer), Isaac demonstrated that he’s even more dangerous than we thought. He has an unnerving understanding of psychology and how to press people’s buttons, which he chooses to use to needle people and exert power over them. In the scene in the lift, Yinka Awoni as Adam was also brilliant. It was one of those scenes where I hardly remembered to breathe.  Continue reading

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Holby City: Little gifts of love

matteo-jac-holby(Series 19, ep. 19) Unusually for me, I’m going to start with a patient storyline. I usually whizz over them as just a backdrop to the regulars’ stories, but I really loved the Darwin story about Sandy, who was terrified of surgeons. Erin Shanagher previously appeared in an episode of Casualty in which the patient story knocked my socks off, and she was equally good here. Sandy was justifiably upset, angry and fearful about the way she’d been treated as a baby, and I liked the way her story was used to highlight aspects of Jac’s and Matteo’s personalities and relationship. 

It was Valentine’s Day, as if we would ever be allowed to forget. Darwin was full of (appropriately) heart-shaped balloons, courtesy of Mr T, but Jac wasn’t feeling the love as she’d dumped Matteo last week. But then how to resist a romantic Italian who presents you with a ticket to Rome? Jac had a good try, but between Matteo’s cheeky charm and a bit of business with Mo and a voice recorder, all was well that ended well.  Continue reading

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Holby City: Sons and daughters

hanssen-fredrick-holby(Series 19, ep. 18) Hanssen was back, but he wasn’t wearing the tie of authority. he was wearing the open-necked shirt of civilian life. “Avante garde for the NHS,” according to Dominic. Hanssen wasn’t there as CEO, but as a patient’s relative. His son Fredrick (William Postlethwaite – son of Pete) had been in an accident, and needed surgery.

There was a strange drug in Fredrick’s system, the fictional Oxamorol, manufactured by Lovborg, the family business now run by Fredrick. It was a magic bullet for depression, according to Fredrick. Hanssen was devastated to think that he might have passed his own depression to his son.

The truth was actually even more devastating than that. Fredrick was using himself as a guinea pig to test the drug, which had already been shown to have nasty side effects including possible and actual death. He was willing to risk his own life, but also to cover up the negative trials that had already been done. And he didn’t even have depression, dismissing Hanssen’s condition as a weakness.  Continue reading

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Holby City: Bleak hospital

serena-holby(Series 19, ep. 17) Ooh, but this was a dark episode. The AAU and Keller stories were difficult and gloomy, with some of our favourite characters going through horrible times, with Darwin providing a bit of welcome light relief.

It started with a Serena voice-over, sorting people into lions, lambs and shepherds. This came from an essay Elinor had been writing before she died, and later in the episode we heard it again, with both Serena’s and Elinor’s voices speaking together, which was a spooky kind of effect.

Serena was looking for someone to blame for Elinor’s death. Just like she pointed the finger at Chantelle when Adrienne had a stroke, another sunny junior was in the firing line this time – Jasmine. And, to be fair, perhaps if Jasmine had been more experienced and more mature she might have spotted that Elinor had a problem earlier. That almost isn’t the point, though. It’s more about Serena’s need for control, to impose some order on a world that’s just been turned on its head. This was underlined by the presence of recurring guest character Lexy – the vicar with the Herzig heart who seems to bob up at moments of crisis. The crisis this time was her own – her husband was involved in a car accident and later died, prompting Lexy to question her faith. She was also someone for Serena to get cross with.  Continue reading

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