Tag Archives: Lee Ross

Ashes to Ashes (3.5): Giving me the SHIVERS

Raaah… we’re back firing on all four cylinders this week. There was nothing average about last night’s episode – from Alex’s dream about the lovely Sam Tyler, to the improved quality of Gene’s one-liners (“Not going to shoot him Bols? Then let’s go and run him over…”), the look of terror on Ray’s face, Chris body-popping – when they’re good, they’re very, very good.

Life on Mars fans will remember DCI “Bastard” Litton (and Press Gang fans will remember Lee Ross). It’s a delight to watch the tension between Litton and Hunt (Alison Graham describes it beautifully as ‘like watching two polyester-clad stags’ and I just can’t do any better.) as the former turns up on the trail of Manchester comedian Frank Hardwick, accused of stealing two grand from the Police Widows’ Fund.

You can almost smell the testosterone and cheap aftershave coming off the TV screen  – despite Litton’s nasty grey ‘Next for men loafers’.

Gene, of course, quickly discerns that there’s more to this than meets the eye, and determines to ruin Litton’s day by catching Hardwick (the great Roy Hudd) and arresting him on trumped up charges for selling hardcore porn. Alex, disapproving turns up to arrest Hardwick for the theft instead and gets to meet Ben Elton. (Incidentally, I’d love to know exactly which facet of Elton’s personality or career pissed off the writer so much that not only did he get crunched by Gene, but fatally shot by our bad guy – my money’s on We Will Rock You.)

Kudos to the writers too, for demonstrating just how fine the line between Gene’s outrageous one-liners and Litton’s downright offensiveness is. How they have kept Gene from teetering over that line in all this time is frankly miraculous. I also liked the little line about troglodytes they gave to Shaz – “It means big, strong men from the north.”

More worrying is Keats’ offer to transfer Alex to Fenchurch East and Gene’s refusal to talk about what happened to Sam. I still have faith in the Gene Genie (I even have a theory for what’s going on now), but I worry that Alex will be lost by the end of episode eight if she doesn’t take the leap of faith that Gene describes to her.

Actually, I’m worried about them all now – the look of terror on Ray’s face at seeing the edge of the world reminded me of a great novel about near death experiences (Passage by Connie Willis – possibly the most frightening book I’ve ever read – highly recommended). And here’s my theory – they’re all dead already (or as near to dead as makes no difference in the case of Sam and Alex); Gene is the guardian angel of this world; and perhaps he despatched Sam because Sam was threatening the stability of the world. That they’re seeing stars could mean the world is coming apart again. Whatever the truth of this world is, I’m damn sure that is what Gene whispered in the ear of the bad man at the end of the episode.

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Ashes to Ashes (3.4): The early bird bags the bastard

It pains me to say that I found this episode of Ashes to Ashes distinctly average. Although average A2A is still a Himalayan mile better than a lot of TV drama.

The main focus was on the case of the week, and unfortunately I’d guessed that the undercover cop had gone to the dark side in the first fifteen minutes. The dark side being Terry Stafford (played by Peter Guiness, a man who is to crime drama casting supremos, what Terrence Hardiman is to children’s drama casting supremos looking for someone sinister).

Terry is nasty piece of work – just the kind of scum Gene thrives on bringing down – and he’s also a thorn in the side of DCI Wilson from a nieghbouring division.

Gene is less than chuffed to find Wilson running undercover cop Louise  Gardiner on his patch, and when Keats gives him the okay to start digging, Gene gets out his biggest shovel. (This scene really felt like Keats was the teacher asking Gene to show that he could play nicely with others.)

It’s not long before Gene blows Louise’s cover, pulls in Terry’s son Daniel (very much his father’s boy), and we all slowly crawl towards the inevitable shoot-out (with added prowling round a mannequin factory).

But as I said at the beginning, even average A2A  is worth watching. This week we discovered the truth behind the vandalism of the Blue Peter garden (remember that?). You’ve guessed it, it’s Gene ‘restraining’ a suspect.

Some of the best lines were almost thrown away. As Gene and Alex leave DCI Wilson’s office, we just catch the words, “Nice tits.” Alex asks if she really heard him say that, to which Gene replies, “The man’s a cripple – have a heart.” I enjoyed Gene’s “The early bird that bags the bastard” line too.

Jim (Keats) fixing it for Chris to keep his job (after Louise manipulated him into beating Daniel Stafford to a pulp in the cells) was nicely done too.

Personally, my favourite moment was Gene trying to rouse Alex from her chloroformed stupor. It’s a neat play on the viewer’s conflicted desire to see Gene and Alex kiss (and the knowledge that the whole thing will be ruined if they ever do). As he leans in to give her the kiss of life, having fiddled self-consciously with that skew-whiff tie of his, we cut to Alex’s vision of her self being buried alive, there’s a scream, and she comes back to consciousness with a jolt. Poor Gene.

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