(Series 19, ep. 44 ‘Go Ugly Early’ by Nick Fisher 8.8.17) So that’s the end of the Trauma Unit. The little room with the plastic flaps instead of doors, that has been the site of so much pioneering traumatic excellence over the months, is now a little empty room, the flaps flapping plastically in the breeze of trolleys whizzing by. Most importantly, the Trauma Unit was the queendom of the utterly marvellous Berenice Wolfe, and her queendom is now gone and so is Bernie. Continue reading
Tag Archives: lee mead
(Series 19, ep. 43 ‘The Evolution of Woman’ by Simon Norman 1.8.17) Nina has been Queen of Medicine (or whatever her job is) for all of five minutes, and she’s already circumvented the mythical HR department and the CEO by bringing a familiar face back to Holby. “Guy Self, darkening my doorstep,” muttered Hanssen, nicely marking his own territory with that use of “my doorstep.”
It seems that Nina and Selfie have History, and it’s something to do with Berlin. Whatever it is, I think Nina has the upper hand at the moment, or she thinks she does. That’s the thing with Selfie, you’re never quite sure where you are with him. Continue reading →
(Series 19, ep. 42 ‘Baggage’ by Patrick Homes 25.7.17) Since Donna’s return there’s been a bit of mystery surrounding her. Why isn’t she relishing her WAG status and swanning about getting spa treatments and buying over-priced luxury goods for her swanky mansion, rather than mopping up pee, pus and sick in AAU? Why does she look sad when she thinks nobody is looking? And why has her credit card been declined?
We discovered the answers to all these questions when her niece/adopted daughter Mia (Briana Shann) turned up at Holby. One thing I especially loved was that Hanssen remembered Mia. I remember them having a sweet little scene together when he found her alone in the corridor in her first incarnation. Hanssen also very sweetly paid Donna’s bill when Pulses declined her credit card. He was very busy being Enigmatic and Delightful all over the hospital this week. Continue reading →
(Series 19, ep. 40 ‘Sleep Well’ by Elliot Hope and Johanne McAndrew 11.7.17) Fran isn’t evil, or a villain, or a baddie. She’s a hurt, angry, damaged person. Jac knows this, because she’s similarly damaged. Where they differ is that Jac has dealt with all the hurt she’s suffered over the years by exercising a huge amount of self control – sometimes Jac is just held together by willpower alone. Fran is more needy and volatile. Continue reading →
(Series 19, ep. 37 ‘For You May Be the Next to Die…‘ by Patrick Homes) The hour started with an unsettling, dreamlike scene of young Fran and young Jac, presumably in the terrible care home they lived in when they were kids. We saw Fran – geeky and awkward-looking – going to Jac (who was uncannily, recognisably Jac) for comfort. A horrible song full of nasty death imagery played over it.
Then, in the apparent safety of Holby, there was Jasmine, singing the same song to herself. It was one of Paula Burrows’ favourites, apparently. Even if we’d never heard of Paula before, I think we’d have quite a clue about her personality just from that detail. Morven thought the song was horrible, but Morven is still too close to losing Arthur for death to be an abstract notion to her. To Jasmine, a naturally optimistic, full-of-life person, it was just a catchy tune. Continue reading →
(Series 19, ep. 35 ‘The Hard Way Home’ by Martin Jameson and Nick Fisher) Has it really been a year already? On this very day in 2016, Holby and the world lost Arthur Digby, husband, friend, doctor and all-round lovely man. The repercussions of that have lasted ever since, especially among those closest to him – Morven, Zosia and Dominic. Morven’s reactions have been more straightforward, and on the anniversary of his death we found her trying to work up the courage to face a memorial get-together, and sobbing her heart out on the stairs.
Dominic has had a torrid time of it in the last twelve months. After losing his best friend, he found himself in an abusive relationship with Isaac. His self esteem at an all-time low, he’s recently been taking to the gym like a man possessed and throwing back steroids. This has made him all angry and shouty, and this culminated in him getting rather nasty with Sacha in theatre. It reminded me of when Oliver Valentine turned on Elliot Hope after Tara’s death, because Sacha, like Elliot, is a delightful human being and beloved mentor, but also like Elliot he has his vulnerabilities and in some ways lays himself open to attack. Sacha doesn’t get cross very often, but I rather like it when he does, and he did. Continue reading →
(Series 19, ep. 33 ‘Enigma’ by Peter Mattessi) It’s a rare staff member who doesn’t get surprised at the hospital by their secret past turning up at some time or another. Just look at Ric Griffin – and we will look at him a little later, the naughty man.
Lofty got his ‘secret past surprise’ very early in his Keller career, considering he only started last week. When a new patient, Lenny, arrived on the wards there were some meaningful looks exchanged between him and Lofty from the outset. They were “family friends” they said, but this hid a more complicated truth. Eventually Lofty admitted that he’d been engaged to Lenny’s sister, Alice, but jilted her at the altar. No wonder Lenny seemed angry. In fact, Lenny seemed very angry indeed. I really liked this character – he was a bit of a bad boy, an ex drug user, the kind of person who’ll break the rules to have a cigarette in the staff room, but loyal and in his way very charming. His sister, when she turned up, was also lovely and you could see why Lofty had been attracted to her. But the real attraction was Lenny. They’d had a little Moment at a Radiohead concert and it was enough to convince Lofty that he had no business getting married to Alice. He really loved her, but not the way he loved Lenny. Continue reading →