Tag Archives: kaye wragg

Holby City: Essie gets a baby for a week

essie holby 34(Series 21, ep. 34 ‘Where Does It Hurt?’ by Ed Sellek 20.8.19) For my proper review of all this week’s medical mayhem, please have a look at Metro. But first…

– I realised this week that I proper heart Kian. Not in the way I hearted (and will always heart) Joseph Byrne,* but as a really brilliant character. Ramin Karimloo has such a relaxed way about him, he makes Kian look as though he’s been at Holby forever. I love the way you’ll see the supporting artists sometimes give him little swoonsome glances (in character, obviously, because they are superbly professional) as he swans through the department dispensing smiles and doughnuts. He’s absolutely authentic and natural in every scene he’s in – whether talking to Nicky or Jac or Fletch or Essie, there’s a real connection between his character and theirs. It’s quite lovely to watch.

– What is wrong with Ric? I’m worried. But he’s magnificent when he’s angry, and he was absolutely fuming.

– Are Fletch and Ange over already, then, or will they get back together? I have to say I don’t much mind either way.

– Evil Evan! Putting the camera in the flat was a properly sinister move and one I did not expect.

– Was it poignant that Frankie handed over her baby more-or-less in the shadow of the Raf Di Lucca Memorial Lump?

– *On the subject of Joseph Byrne I had the absolute pleasure of talking to Luke Roberts (who plays him) yesterday, about the forthcoming Joseph/Faye return. Look out for that interview on Metro next week.

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Holby City x Casualty: So much to enjoy

For a full review of both episodes head over to Metro. But first, it’s random thoughts time…

Well that was all very exciting, wasn’t it? I think the thing I enjoyed the most about the crossover episodes was seeing unfamiliar combinations of familiar characters. Dylan working with Serena was a highlight and I really want Dylan to be lured to Elstree as soon as possible. They have a Lidl really close to the studios – I think anyone would be tempted.

Other things I enjoyed:

Hanssen walking along the corridors with a torch. Finally we’ve discovered the only way to stop him looming is to put lights on him so you can see him coming.

– Zosia’s comment ‘Wouldn’t be Holby without a crisis.’ Indeed not.

– The guilty/delicious feeling of listening to Ric having a go at Sacha about his parenting skills (when he thought Beka might be pregnant) when we knew Ric was going to have to take a close look at his own family very soon.

The evil electronic door locks that kept Connie out of her trauma theatre and locked Essie and Beka into the CT room. It was like the hospital had a mind of its own. Evil!

Elle and Ric. It’s about time Ric walked down the aisle again and I like Elle a lot more than I like that Francoise.

Sacha’s favourite shirt had to be ripped! I expect by next week Jac will have sourced him another one, because she’s good like that.

– Ange seriously deep-down thinking that the entire scenario was just an elaborate ruse to get her off the Holly Cartwright case.

– Jac pretends to be all head and no heart, but as soon as Sacha is in peril she’s fighting Connie tooth and claw. And Connie gave as good as she got.

– The touching scene between Essie and Beka.

Noel coming clean to Hanssen about clicking the link and the email, and hearing that Hanssen really had nominated him for an award.

And now we’ve got the spring trailer to watch as well! Some interesting-looking new characters, and the return of some old faces – including a total shock at the end…

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Holby City: Can we keep her?

(Series 21, ep. 3 ‘The Burden of Proof’ by Gerard Sampaio 15.1.19) For my full review, pop yourself over to Metro. But before you go, here are a few random thoughts.

– ‘Oh please, can we keep her?’ I think everybody will have been nodding along with Serena’s wish to have Lola Griffin/Williams on AAU every Tuesday until the end of time. Sharon D Clarke is fabulous in the role – charming, feisty, charismatic, she has an almost magical way with patients and staff alike. I absolutely love her.

– I didn’t think Dominic’s ‘lie’ about being useless at Physics was a big deal, really. It was just an awkward attempt to bond with Harriet rather than a reversion to his ‘Psycho Dom’ days. The exaggeration of his experience in the surgical procedure was more serious, but what doctor on Holby hasn’t occasionally done that? Cut him some slack, Ange.

– Is it just me, or does Holby get an unusual number of patients (and staff) who want to join, or have already joined, the army?

– I’m very glad we didn’t have to witness Nicky and Cam at Albie’s karaoke night. If there’s two things I can’t cope with on TV it’s karaoke scenes, and people who can’t dance trying to dance (hence why I can’t watch Strictly). And nosebleeds. That’s three things.

– I’m excited to see what Lofty gets to wear for his new job of Discharge Coordinator. Maybe he can wear the green scrubs that Essie used to have when she was Transplant Coordinator? Not the exact same ones because I shouldn’t think they’d fit.

– What on earth were Lola and Ric up to to get him that head injury? On second thoughts, best not to dwell on that one.

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Holby City: Young adults everywhere

(Series 21, ep. 2 ‘China Crisis’ by Joe Ainsworth 8.1.19) Happy new year, Holby fans! The review for this episode is over at Metro, and now I’ve come out of Christmas hibernation I can summon up a few additional random thoughts about it.

Tom Campbell-Gore succumbed to the Curse of the Holby Relative/Friend/Staff Member fairly easily, didn’t he? It’s a shame, really, as I was rather enjoying his arrogant ways. And enjoying Serena putting him in his place very much.

I rather like Ange at first sight, though she does remind me of Colette Sheward in a practical, sleeves-up, no-nonsense kind of way.

Has the YAU (I hear that in my head as a James Brown sort of ‘Yow!’) been conceived so that Holby can nurture the next generation of young acting talent by bringing in lots of Young Adults? It  would be very commendable if so, but I do get a bit vexed by these ‘units’ that take over perfectly sensible wards. It’s usually Darwin that gets corners of it stolen by other departments, but they always get their territory back in the end. I wonder how long the YAU will last before someone decides they need the beds back?

Essie does love a Special Uniform, doesn’t she?

Cameron’s appearance on Darwin prompted some of the best lines of the week (‘That’s all I need, another pound shop Hugh Grant’ and the line about ‘Foetus and Fauntleroy’ from Jac), but I think my favourite line in the whole episode was ‘Serena Campbell. No Gore.’

The scenes between Lorraine Chase and Jaye Jacobs were beautiful.

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Holby City: Distance makes it wander

(Series 20, ep. 49 ‘Love Is’ by Michelle Lipton 4.12.18) Pop over to Metro if you’d like to see my full review of this episode.

– It was quite a sad one, wasn’t it? Serena crying on Fletch, Dominic crying on Essie. At least we had Frieda and that lovely dog to cheer us up.

– It wasn’t all bad on the Berena front, either. It’s always glorious to see Bernie, though of course the pleasure of seeing her was tainted by the dread that she would find out about Serena and Leah and would invoke one of her famous 13 ways to kill with her bare hands. Or just be really sad, which would be worse. For now, things are looking like they might work out after all.

– Dominic and Lofty, though… David Ames breaks my heart when Dominic is sad, but it doesn’t make me like Lofty any less because you can see his actions come from being caring and thoughtful. He’s just too cautious.

Line of the week – Bernie‘Whatever happened to absence makes the heart grow fonder?’ Donna: ‘Too much distance makes it wander.’ 

 

– Do not miss next week’s episode. That’s all I’m saying.

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Holby City: People are dead! People are in agony!

Holby City Series 20 - Ep46(Series 20, ep. 46 ‘Report to the Mirror, Part Two’ by Andy Bayliss 13.11.18) This week’s review is over at Metro as usual. A few additional thoughts:

– This episode went total body-horror, with Jac having the awful and full knowledge that to get the dreaded implant out of her she had to place her life in the hands of a man she knew she couldn’t trust at all. It’s scary enough having surgery when you know the surgeon is sane and competent and has your best interests at heart, but Gaskell? Yikes. And you could see all of that playing across Jac’s face coupled with the absolute determination that she had no alternative.

– The sight of Lana’s body with open wounds in Gaskell’s lab was one of the most disturbing things I’ve ever seen on Holby. I loved how for a few seconds Ric and Sacha couldn’t quite comprehend what they were seeing either. It was absolutely horrific.

– The line of the episode for me was the Professor saying that Essie was ‘lying down in a cold, dark room.’ If Hanssen hadn’t immediately chipped in to say that she had a headache, would other people have picked up on just how sinister that sounded?

– The showdown at the lake was quite epic. I liked the hallucinatory bits where Hanssen thought Gaskell was on the bank with him rather than being in the water. Hanssen’s struggle to overcome the effects of the neurotoxin and stay with reality was mirrored by his struggle to understand the full extent of what Gaskell had been doing – particularly when he realised that Gaskell had killed Roxanna.

– This whole storyline has been ambitious and brilliantly done. Gaskell was a bit sinister right from the get-go, but never went full mwah-hah-hah until right at the end. It’s been gruelling, though. Hopefully there’ll be some lighter storylines coming up in the run-up to Christmas. After all this (admittedly brilliant) drama and horror we could do with a bit of sparkle, some romance, and a very large glass of Shiraz.

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Holby City: I see dead people

I see Roxanna! (Picture: BBC)

(Series 20, ep. 42 ‘Stains’ by Patrick Homes 16.10.18) For this week’s review click over to Metro, but before you go here are a few random thoughts:

– Donna and Zav – is ‘Zonna’ ever going to be a Thing, do you think, or are they just going to continue having these Moments? When he told Alex that she was in her late thirties with two sprogs and she didn’t need the likes of either of them, I think he was speaking more about his own insecurity. Or is he really a twonk?

– Hurrah for Sacha and his clear-sighted assessment of Prof Gaskell, and having the balls to tell him to his face. At least there’s one person at Holby who doesn’t subscribe to the Cult of Gaskell. Sadly Hanssen seems just as far away from learning the truth as ever. What’s it going to take to expose the Prof’s crimes? Or will it go undetected and poor Roxanna will have died in vain? Surely that can’t happen?

– Essie was getting very judgemental about that murderer patient, wasn’t she? Particularly when you remember the rather ugly history of her own grandfather. Then she went and told Hanssen what a genius Gaskell is and completely threw him off the scent. Oh, Essie! Not your finest week.

– When the murderer asked Gaskell to kill him and Gaskell didn’t, it shows that he does have ethics – but in Roxanna’s case ethics were over-ridden by the necessity to keep his trial going, come what may. If I’m being kind I might call him a ‘bigger picture’ kind of guy.

– When Steven was talking confidently about nits to Jac, and Fletch said Steven had never so much as been near him with a nit comb when he was a kid, I thought Steven’s life-changing secret was going to be that he had a secret other family somewhere that Fletch never knew about and he’d spent many years happily examining his children’s heads for lice in a way he’d never done with Fletch.

– An insight into the writer’s thinking: episode writer Patrick Homes (@PatrickHomes) tweeted yesterday ‘Tonight’s episode of #holbycity was written listening to Pixies “Where is My Mind” on an endless loop. It may or may not show…’

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