(Series 20, ep. 3 ‘There by the Grace of…’ by Elliot Hope and Johanne McAndrew 16.1.18) Many years ago I used to work with people who had physical disabilities. I think it says a huge amount about James Anderson’s well-observed, thoughtful acting that, in this episode, Ollie reminded me really strongly of a man I worked with who was disabled after a head injury – the speech patterns, the mannerisms – and I hadn’t thought about that man for years.
For plot reasons, Ollie was on AAU this week. Roxanna thought it would be helpful for him to have the stimulus of being surrounded by people barfing on other people’s shoes all day long, but just in case it was too much he was popped into a side room and the staff were told not to get him over excited. Continue reading
(Series 20, ep. 2 ‘Ready Or Not’ by Robert Goldsbrough 9.1.18) When we left Ric Griffin surrounded by violent thugs at the end of the last episode, I wondered whether we’d next see him at Holby as a patient. Instead, we saw this week that he had been badly injured, but not as badly as fellow inmate Danny (Gruffudd Glyn), who was brought in to AAU in a bit of a mess.
Danny passed a message to Sacha that Ric didn’t want Donna going to the prison, so Sacha got Fletch to ask her to work overtime. Then Sacha went to the prison on his own.
Sacha is full of compassion and kindness, but he doesn’t have the same level of street-smarts as Ric does. Ric is just about surviving in the prison because he knows it’s best to keep your head down and your mouth shut. When Sacha discovered that Ric had been beaten up, he had to do something to help. Continue reading
(Series 20, ep. 1 ‘The Prisoner’ by Ed Sellek 2.1.18) This stand-alone episode dealt with four days in the life of Ric Griffin, in prison on remand following his assault on Jeremy Warren, and Oliver Valentine, returning to the word after being in a coma since being shot in the head.
Ric might have a posh voice and an air of refinement, but he has great intelligence, a boxer’s instincts and he’s seen a bit of the world. While prison obviously came as a huge culture shock for him, he navigated prison politics quite well. When he was befriended by a prisoner called Dillon (played by the brilliantly named Chord Melodic), it took him a little while to realise that Dillon had an agenda – he wanted Ric to use his medical contacts in the outside world to get drugs into the prison. As soon as he’d worked out what was what, Ric refused to have any part of the scheme – with the result that he’s now a marked man. Indeed he’s possibly literally marked by now, because when we last saw him he was surrounded by Dillon’s thugs in the prison yard. Continue reading