(Series 19, ep. 41 ‘Going the Distance’ by Chris Murray 18.7.17) Essie is a mass of thwarted maternal instinct, isn’t she? She’s currently directing it all at Parker (whom she inherited from a former patient). He’s a perfectly nice lad, but Essie is constantly worrying that she’s not looking after him properly, or he’s going off the rails or whatever. A template for mother/son perfection presented itself this week in the form of patient Roma (Maria Miles) and her utterly devoted son Lewis (Jack Kane). Essie wished that she and Parker could have such a bond, but actually Roma and Lewis were teetering along that fine line where devotion can become harmful for one or both parties. Roma realised that and made some changes, and Essie realised, with the help of Raf, that she needs to relax about Parker a bit. I bet she won’t, though. Continue reading
Tag Archives: Joe McFadden
(Series 19, ep. 40 ‘Sleep Well’ by Elliot Hope and Johanne McAndrew 11.7.17) Fran isn’t evil, or a villain, or a baddie. She’s a hurt, angry, damaged person. Jac knows this, because she’s similarly damaged. Where they differ is that Jac has dealt with all the hurt she’s suffered over the years by exercising a huge amount of self control – sometimes Jac is just held together by willpower alone. Fran is more needy and volatile. Continue reading
(Series 19, ep. 34 ‘Twist of the Knife’ by Jon Sen) Of course we know that Mo wouldn’t ever harm her baby. She’s a doctor, for one thing, and she’s Mo, for another thing. Mo just wouldn’t do anything like that. And yet she almost persuaded herself that she could have hurt him, and she did it so well that she almost persuaded me. Mr T was already thinking she might have (and that’s what got Mo to doubting herself in the first place). Continue reading
(Series 19, ep. 21) There was ninja-level acting in AAU this week, as Serena’s “what doesn’t kill you makes you a better F1” mentoring of Jasmine reached critical point. Catherine Russell showed yet again what a great range she has as an actor – there was no sign of cheeky, Shiraz-swilling Serena as grief for her daughter has made her more angry, upset and confused than she knows how to deal with. Some of her scenes were heartbreaking – especially the little moment when she looked at her sleeping patient and you knew she was picturing Elinor, her meltdown in front of all the staff and her speech to the counsellor at the end.
Lucinda Dryzek has also been excellent in this storyline. Jasmine’s whole body language has changed – she’s tired, worn down, stressed out. But you never lose the feeling of who she essentially is – the perky, lively, optimistic person who seems to be the opposite of her sister. Continue reading
(Series 19, ep. 19) Unusually for me, I’m going to start with a patient storyline. I usually whizz over them as just a backdrop to the regulars’ stories, but I really loved the Darwin story about Sandy, who was terrified of surgeons. Erin Shanagher previously appeared in an episode of Casualty in which the patient story knocked my socks off, and she was equally good here. Sandy was justifiably upset, angry and fearful about the way she’d been treated as a baby, and I liked the way her story was used to highlight aspects of Jac’s and Matteo’s personalities and relationship.
It was Valentine’s Day, as if we would ever be allowed to forget. Darwin was full of (appropriately) heart-shaped balloons, courtesy of Mr T, but Jac wasn’t feeling the love as she’d dumped Matteo last week. But then how to resist a romantic Italian who presents you with a ticket to Rome? Jac had a good try, but between Matteo’s cheeky charm and a bit of business with Mo and a voice recorder, all was well that ended well. Continue reading
(Series 19, ep. 16) The thing that shocked me the most about this episode was finding out that the mythical HR department actually exists. We saw it! Although, thinking about it, we only saw the glossy facade and Mo never actually went in, so it could have just been a hallucination caused by sleep deprivation.
The reason Mo was hallucinating the HR department was that she and Mr T had a plan to go to Gothenburg for a year with the baby. Mo would be putting her career on hold for a life of smorgasbord and bilingual mother and baby groups.
That was never going to fly with Jac Naylor, who employed the strategy she used so effectively with Zosia – pretend someone is completely replaceable and not needed at all, until they realise that there’s no place like Holby and cancel their foolish plans. Continue reading
(Series 19, ep. 15) There was luck for some and not so much for others in this episode. Fletch was the lucky one – he’s inherited a sum of money so large it had to be written on a piece of paper and not uttered aloud. This always happens on telly. I suppose it might be so the viewer can put their own figure on it – Noel Edmonds used to call £250,000 “a life changing sum of money” on Deal Or No Deal, and to me it would be but to Sir Paul McCartney probably not so much.
Anyway, I was squinting at the piece of paper Bernie was holding for Fletch and I thought it said £75,000, but whatever it was, it’s hopefully enough to stop Fletch having to get involved in crime in the future. It’s definitely enough to get new shoes for Mikey and his siblings, and possibly enough to enable them to move out of Di Lucca Towers. Who knows what house prices are like in Wyvernshire these days? Continue reading