(Series 20, ep. 50 ‘The Right Sort of Animal’ by Ed Sellek 11.12.18) Pop over to Metro for a full review of this glorious episode. Before you go, some random thoughts.
– How fabulous was this episode? I love the quirky things that Ed Sellek puts in his scripts and there were loads of them here. Xavier’s reference to The World According to Garp (telling Serena she was ‘pre-disastered’) has shot him right up in my estimation, and there was another literary reference with Morgan the Organ – the poor man who got hit right in the middle of Pachelbel’s Canon (ouch). The stained glass face stuck in Lexy was brilliant too.
– Reverend Richard Coles’ appearance was really nicely done. His character Henry De Havilland added to the general quirkiness of the wedding in a really joyous way.
– Greta (Zoe Croft) looked absolutely beautiful.
– I also loved Greta’s advice to Dom. Both Greta and Jason are great at getting straight to the heart of things and cutting through the nonsense.
– It was nice to hear Lee Mead using his singing talents, and well done to David Ames for being able to be sung at without going bright red and giggling. Or is that just me?
– It was also lovely to have a Dofty wedding. I was so happy I forgot (till it was over) that Carole Copeland and Sheilagh Chiltern weren’t even there. Luckily both of them will be making appearances in the next few months (see the winter trailer) – but will they ever meet?
– I have a lot of thoughts about Berena, which you can read about in a separate piece over at Metro.
(Series 20, ep. 49 ‘Love Is’ by Michelle Lipton 4.12.18) Pop over to Metro if you’d like to see my full review of this episode.
– It was quite a sad one, wasn’t it? Serena crying on Fletch, Dominic crying on Essie. At least we had Frieda and that lovely dog to cheer us up.
– It wasn’t all bad on the Berena front, either. It’s always glorious to see Bernie, though of course the pleasure of seeing her was tainted by the dread that she would find out about Serena and Leah and would invoke one of her famous 13 ways to kill with her bare hands. Or just be really sad, which would be worse. For now, things are looking like they might work out after all.
– Dominic and Lofty, though… David Ames breaks my heart when Dominic is sad, but it doesn’t make me like Lofty any less because you can see his actions come from being caring and thoughtful. He’s just too cautious.
Line of the week – Bernie: ‘Whatever happened to absence makes the heart grow fonder?’ Donna: ‘Too much distance makes it wander.’
– Do not miss next week’s episode. That’s all I’m saying.
(Series 20, ep. 25 ‘Primum Non Nocere, Part Two’ by Patrick Homes 20.6.18) This episode started exactly where the last one left off, if we ignore a bit of preamble with Prof Gaskell muttering ominously to an unseen someone on a ventilator. Meena had just told the Prof of her worries about the trial, and Jac was just about to go into surgery.
Abi had found someone called Dr Philippe Duplessis (Wela Mbusi) who was keen to watch Jac’s op. He was in a similar line of research to the Prof, only his trials were confined to mice. He was excited to see a guinea pig instead, in the form of Holby’s top CT surgeon.
Jac was having a few pre-op worries – the anaesthetist had gone AWOL, the Prof kept wandering off, it was looking like a bit of a shambles – but she went ahead anyway. Continue reading
(Series 20, ep. 24 ‘Primum Non Nocere, Part One’ by Patrick Homes 12.6.18) The fancy Latin title of the episode means ‘First, do no harm.’ It’s the reminder from the Hippocratic Oath that doctors are not really supposed to make things worse.
It fell to Meena (that jacket looked gorgeous on her, btw) to be the one to start uncovering what we might call the irregularities in Prof Gaskell’s trial. She found the notes from the Fiona Fawcett case, and heard about the recent trial patient in Tangiers, and there were some worrying parallels.
Meena is not a fool. She’s nervous, under-confident and over-eager to impress, but she’s smart and perceptive and she realised she was onto something worrying. She talked to Prof Gaskell about it, but he brushed her concerns aside in that slightly threatening way he has. She asked colleague and boyfriend Xavier what she should do, and he said there were plenty of people higher up the food chain who could take the responsibility for dealing with the information and it wasn’t up to her to do it. Continue reading
“What are you doing in my bedroom?” Frieda asks a somewhat naked Xavier. More to the point, what is she doing in her bedroom, as she seemed to have left last week.
Carole Copeland! Always a joy. Please let her meet Sheilagh soon.
Berena reunited! A nation rejoices. But there are hints that this might mean Serena will be leaving, which would fling a nation into mourning.
(Series 19, ep. 44 ‘Go Ugly Early’ by Nick Fisher 8.8.17) So that’s the end of the Trauma Unit. The little room with the plastic flaps instead of doors, that has been the site of so much pioneering traumatic excellence over the months, is now a little empty room, the flaps flapping plastically in the breeze of trolleys whizzing by. Most importantly, the Trauma Unit was the queendom of the utterly marvellous Berenice Wolfe, and her queendom is now gone and so is Bernie. Continue reading
(Series 19, ep. 34 ‘Twist of the Knife’ by Jon Sen) Of course we know that Mo wouldn’t ever harm her baby. She’s a doctor, for one thing, and she’s Mo, for another thing. Mo just wouldn’t do anything like that. And yet she almost persuaded herself that she could have hurt him, and she did it so well that she almost persuaded me. Mr T was already thinking she might have (and that’s what got Mo to doubting herself in the first place). Continue reading