(Series 21, ep. 4 ‘A Daring Adventure Or Nothing At All’ by Isla Gray 22.1.19) For my full review of this episode head over to Metro. But a couple of things before you go…
– I felt so sorry for Frieda, because I could really believe in her and Roman as a couple. Not least because of the beautiful way she says his name. I had to google about opening the window to let his soul out, to check it was really a thing, but somehow I knew from the way she did it that it is a thing. It’s a very beautiful thing, I think. I’m glad that at least before Roman died he had a chance to show Frieda that he really was the man she’d always loved.
– Now I want to talk about the decor in the YAU (Yow!). First of all, where did the cash-strapped NHS find the money for all that etched glass and whatnot? And secondly, isn’t a bit patronising to think the young adults need surrounding with the bright colours and cartoony shapes of play school?
– And why isn’t anybody (Sacha?) kicking up a fuss about having half of Keller carved off for the YAU?
– I’m not really getting the Foetus/Fauntleroy rivalry. One minute they’re friends(ish – going to karaoke together at least), the next minute they aren’t. For Nicky it’s a bit of a replay of what she went through with Meena.
– Mia is very amusing. She talks like an adult, but in a believable way. I really like the Mia/Donna/Zav combo.
– And for anyone who would like to know more about Pathological Demand Avoidance (as seen in the Ellen/Ange storyline) there’s a useful website here.
(Series 20, ep. 36 ‘Keep Your Friends Close’ by Isla Gray 4.9.18) For a full review, please head over to Metro. But first, a few random thoughts.
– I like the way the Gaskell story is warming up. He hasn’t gone full ‘mwah-ha-ha’ at any point, but we can see how he’s focused to the point of being dangerously obsessed. I have no idea where his moral compass is, which is why it was an excellent idea to put the moral compass of the hospital (Hanssen) up against him. But Hanssen’s view of things has been shaken by what happened with Fredrik, and is further complicated by his feelings for Roxanne.
– I have to wonder, did Gaskell bring all his blue luminous objects with him when he arrived, or are they standard-issue NHS items? Perhaps they’re alien artefacts he got when he was Doctor Who, and their strange intense glow is a form of mind-control. This would explain quite a bit about the Prof.
– Hanssen taking frightened patients out onto the hospital’s scenic fire escapes. Not sensible.
– I’ve honestly forgotten what Meena and Nicky fell out about, but I wish they’d sort it out. I do actually feel sorry for Meena. She’s very lonely and adrift. I think Zav probably knows deep down that she really wants more than just no-strings fun, but he was happy to take what she said at face value. I don’t think either of them is going to feel very good about themselves in the morning.
– Abi was back, which was good news for anyone requiring a CT surgeon because they’ve been a bit thin on the ground of late. But even when she’s there, she never seems quite there, if you know what I mean. Luckily we can see from the Autumn trailer that Darwin is going to get considerably busier soon.
(Series 20, ep. 5 ‘One Day at a Time’ by Isla Gray 30.1.18) Prof Gaskell is a strange one, isn’t he? He spent a good chunk of this episode reciting poetry, either to himself or to patients, in a somewhat doomy voice. I can’t help thinking it’s not really what you want when you’re just coming round from anaesthetic.
The patient he was reciting William Blake to at the end was a mystery person in Lisbon. Was this a flashback, or had he nipped to Lisbon quickly at the end of the shift? And is this mystery person (relative? partner?) the reason why he’s so driven to succeed with his stem cell treatment?
So many questions. I expect we’ll get answers, and probably more questions, in the coming weeks and months. In the meantime, this was the week of his pioneering operation, which was so pioneering it was on live video link to the entire hospital and, indeed, the world. Plenty of pressure there for Prof Gaskell (who deals with pressure via the aforementioned poetry), Meena (who trembles, drops things and hides in out-of-order toilet cubicles) and the patient, Fiona (Shannon Murray). The surgery was apparently a success, despite a very hairy moment when I was sure Meena was going to drop the graft on the floor. I wonder if the 30 second rule applies in operating theatres? Continue reading