(Series 30, ep. 15) Jacob Masters. He sounds like a superhero, doesn’t he? And there he is, 6’1” (I looked him up on IMDb) of solid muscle, lovely teeth and a winning way with a bandage. He also has a smooth way with the laydeez, as Connie Beauchamp can attest, having woken up with him and then allowed him free range of her kitchen to make breakfast (with limited ingredients – it’s fair to say Connie is no Nigella as far as keeping her pantry stocked is concerned).
Obviously he couldn’t resist showing off and making “sleeping with the boss” quips as soon as they got to work, and it was nice to see a glimpse of the old Connie as she slapped him down a bit. Continue reading
(Series 30, ep.8) If you hadn’t seen the red button episode last week you might have been a bit bewildered to see Cal and Ethan now living with a very tiny baby. The baby is apparently the offspring of Taylor, and I say “apparently” because you can never be sure of anything with Taylor. Though she did had a spot of postpartum bleeding last week to prove she hadn’t just found the baby on a skip.
Ethan, who is extremely sensible and cautious, wants Cal to have a DNA test to find out if the little girl – named Matilda by Cal, after their late mother – is really a baby Knight, as Taylor claimed before scarpering. Continue reading
(Series 30, ep.1 & 2) Wow. Talk about emotional rollercoaster. Leading directly on from last week’s (literally) explosive wedding episodes, series 30 kicked off in dramatic style. Who better to save the life of Dr Zoe Hanna/Walker than Charlie Fairhead? After all, he’s the heart and soul of Holby A&E, as someone pointed out during the episode. He’s been in Casualty since day one, his eyes failing to focus on anything in particular but his attention always firmly on the task in hand. He’s stalwart, dependable, loveable Charlie.
So when he went down with a heart attack not long after his brave rescue of Zoe, it was tense. And upsetting. The entire regular cast threw themselves into the proceedings and were completely believable as they struggled with the apparently imminent loss of their beloved mentor, confidante and friend. Continue reading
(Series 29, ep.44) This episode was the exit of beloved senior nurse Tess Bateman, a woman who has endured much during her time in Casualty, including being impaled on a spike for a whole episode and an affair with Fletch – two experiences that are in no way comparable. Personally I’ll remember her most fondly for her dancing partnership with the wonderful Abs. They were so sweet. Continue reading
(Series 29, ep.38) Dylan has been left quite unsettled about the recent number of deaths on his watch. He shouldn’t be too despondent – I remember not so long ago there was a fuss about Dr Zoe Hanna being the top doctor for losing patients – but the reason for that turned out to be that she was the one who took the most difficult patients in the first place.
Dylan is a very rational person so he should work this out, but this week a brush with a “holistic practitioner” (played by Tony Hirst, Eileen’s fireman boyfriend off of Corrie) may be about to make him worryingly superstitious. He discovered that all the people who died were treated in bay 4, and according to Eileen’s fireman, 4 is an unlucky number and means death. Normally Dylan would greet this information with the skepticism and sarcasm he employed for most of the episode, but for some reason even though the therapist’s snake oil turned out to be aspirin, Dylan’s grip on rational thinking has been a bit loosened. Continue reading
(Series 29, ep.37) The BBC Casualty website informed us that “Dylan has another bad day,” so I wasn’t expecting a happy outcome for his patient (a woman, Anne, whose husband had dementia and whose son didn’t seem all that bothered). As it turned out, the story was rather sweet, but very sad. The woman died – due to carbon monoxide poisoning, rather than the car crash she’d been involved in. Dylan failed to spot the carbon monoxide poisoning, hence it being another bad day for him. The husband with dementia, Clive, was played by George Layton (previously a TV medic himself), and his portrayal of Clive’s confusion and distress in his old age was really poignant to watch. The story didn’t end entirely negatively – Clive’s son finally stepped up to the task of looking after his father, and turned out to be rather nice after all. Continue reading
(Series 29, ep.36) Charlie’s waste of skin son Louis is a handful. No sooner was Charlie’s back turned than Louis had summoned a dealer, acquired some drugs and was found in a toilet cubicle about to inject them into himself. Earlier on a patient had died in the department of a heroin overdose, and it would be callous to say Charlie used this as a handy learning resource for Louis, but that’s what happened – there’s nothing like having your face shoved at a corpse while your normally placid dad goes all shouty at you (“It’s take your son to work week!”), to make you reconsider your life’s goals. Louis had a bit of a cry and asked his dad to help him, so Charlie took him home and locked him in the kind of room serial killers generally keep their victims in while they wait for Robson Green or Idris Elba to track them down. I don’t think Robson or Idris will be visiting Charlie any time soon, but Connie and Tess might pop round with flowers and/or soup (probably not soup, in Connie’s case, unless she has a hamper delivered from Fortnum’s), because they’re both worried about Charlie. Continue reading