(Series 33, ep. 22 by Rachel Paterson 2.2.19) There’s a proper Casualty review over at Metro, but one or two extra ponderings before you go.
– I really like the way Jan says Iain’s name in her Welsh accent, especially when she’s a bit cross with him. She did turn on him rather quickly, though, didn’t she? I suppose she was blinkered by maternal love for Nasty Ross. Charlie wasn’t fooled, though. Not only is he an excellent judge of staff, but he’s also been-there-done-that with waste of skin son Louis, so he knows a wrong ’un when he sees one.
– Michael Stevenson has been doing excellent work with what must have been a rather gruelling storyline. Iain’s speech to the DC about the drug victims he’d had to pick up in his job was really powerful.
– I think Ethan deleting Alicia’s number was just meant to be symbolic. As someone on Twitter pointed out, the next time she rings him her number will reappear on his phone again so it hasn’t gone forever, unless she never rings him again of course.
– I’m looking forward to Louise fighting the powers-that-be to protect her nurses. I love Louise when she’s having a good old righteous scowl at people.
(Series 33, ep. 19 by Julie Dixon 12.1.19) This week’s Casualty review can be found over at Metro.
So what do we think? Does Duffy have dementia, or will it be some fixable thing that Holby’s ‘neuro team’ (currently very diminished after Professor Gaskell killed Roxanna then himself, and Selfie left for wherever) be able to sort out? And will Charlie and Duffy fix their relationship? I’m guessing a definite yes to the second question, because Charlie is an angel of a man and when he realises that Duffy has been struggling with more than just lust for Bill Crowthers he’ll be full of remorse and compassion. On the other hand, it’ll be difficult for him to come to terms with the fact that she confided in Bill and not in him.
Oh, I don’t know what’s going to happen! But I do know that Louise and Robyn are currently Not Helping.
(Series 32, ep. 30 by Rebecca Wojciechowski 31.3.18) What a sad, touching episode. Lovely nurse Robyn and her equally lovely brand new husband Glen ended up back at Holby ED much quicker than anyone hoped or anticipated after Glen had a seizure and Robyn crashed their car.
It soon became clear that Glen’s condition was worse than anyone had thought, and he only had days to live at the very most – probably only hours. Plans were put in place to allow him to die at home, with Robyn, Charlie and Duffy in support (the Rolls Royce of palliative care), but poor Glen didn’t even get that far and passed away at Holby.
This was heart-rending stuff, with particularly poignant performances by Owain Arthur and Amanda Henderson as the newlyweds. As with the death of Arthur Digby on Holby, this was something that affected the entire cast, and there was a similar gathering of supportive colleagues at the end, as everyone decided to keep vigil in support of their friends. And, like Digby, it wasn’t all doom and gloom. That wasn’t Glen’s personality, and he said he felt liberated by the knowledge that his death was imminent, rather than being the dreaded cloud on the horizon like it had been for so long.
Elsewhere, a doctor with red hair whose name I don’t know disagreed with Dylan’s diagnosis of a patient and managed to out him as an alcoholic in the process. Army Dr Sam wasn’t pleased to learn he’d kept that a secret from her during their brief marriage.
Read about Casualty/Holby crossovers in the official Holby City book – out now. More info here
(Series 31, ep. 44 ‘One’ by Paul Unwin) The word that was going through my mind as I watched this one-shot, real-time episode of Casualty was “choreography.” The way the camera moved fluidly around the different parts of the set, at one point even being lowered from the first floor down to the ground and then moving seamlessly on, was nothing short of incredible. Actors would walk into shot, deliver their lines and then the camera would be following somebody else, taking up some other part of the story. Apparently the crew were all in costume in case they happened to appear in any shot, but if they did I certainly didn’t notice them – everyone in the background seemed to be doing the usual doctor-stuff, nurse-stuff and patient-stuff, as always. I didn’t see a mis-step or a thing out of place.
The whole thing had been brilliantly thought out by the writer, Paul Unwin, and the director, Jon Sen, so that the episode had dynamics and pace. The actors all made it look easy, and it was testament to them that after a while I started to forget the “one-shot” aspect of it and got swept into the story. I actually felt a bit emotional by the end, with Jez’s scene with the father of the baby who died in the fire, and then with Duffy’s voice-over. I know that last bit was a tad cheesy, but if such a special episode couldn’t be used as a love letter to the NHS it would have been a missed opportunity.
See the behind-the-scenes video here
(Series 31, ep. 16) I haven’t seen Casualty for quite a while now, but dipping back into it this week it didn’t feel like I’d missed much.
The Ethan/Cal/Alicia love triangle is still a thing, with Cal well ahead at the start of the episode, but Ethan once again in the ascendant by the end. Ethan realised – for the umpteenth time – that Cal is a selfish twonk who (a) doesn’t deserve a brother as lovely as Ethan and (b) doesn’t deserve a girlfriend as lovely as Alicia. So he’s putting his own needs first. And Alicia’s needs, of course, because he’s a gentleman and he’s spotted that Alicia prefers him to Cal. This is perceptive of him, given that she’s been too polite to hurt Cal’s feelings by not kissing him in front of Ethan, because she’s sweet like that. I can’t help thinking that Ethan needs to set his romantic bar a bit higher. Continue reading
(Series 31, ep. 5) David Hide is one of the more interesting characters on Casualty at the moment. He’s a bit of an oddball, quiet and quirky, somewhat guarded and closed-off.
This week his back story became the front story, when we met his estranged wife (Lorraine Pilkington) and his son, Oliver (Harry Collett). I forget exactly how old Oliver was, but he was definitely too young to be driving a car. He did it rather well, though. It turns out that David is bipolar and his son probably is, too. They were both up on the roof shouting about it, anyway. Oliver’s mum reckoned that David had once tried to kidnap Oliver, but I don’t expect she meant he was doing it for a ransom. He seems too nice for that sort of thing. Continue reading
(Series 31, ep. 3) A man was struck by lightning near the beginning of this episode, and his wife said it was nature’s way of letting him know he’d been too cautious and had to embrace new experiences. Personally the lesson I took from it is not to hang out of a metal-framed window during a thunder storm, but that’s me being excessively cautious again.
The lightning message resonated with Robyn, whose boyfriend Glen only has two years to live. He doesn’t have a “bucket list” but Robyn does, so they’ve started on her bucket list with a trip to Euro Disney. Bless. Continue reading