(Series 19, ep. 36 ‘For the Love of Maureen’ by Joe Ainsworth 13.6.17) The end of the episode saw Mo, Mr T and Hector drive off into the Holby sunset in Mo’s funny little pink car. It was a lovely happy-ever-after for them, and the whole episode was a beautiful send-off for Mo, who ever since her first heavily-pregnant appearance has been a wonderful warm, funny, feisty character. She got to say goodbye to all her Holby family in touching little one-to-one scenes and a funny party scene at the end. Chizzy Akudolu said on Twitter that her tears in her scene with Sacha were real, and there was genuine emotion also in a scene with Ric and a wonderful one with Jac, where Jac paid tribute to Mo as a black working class woman in a posh white man’s world. It’s not often you hear Jac Naylor’s voice break up, but it did at the end of that speech. Continue reading
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(Series 19, ep. 34 ‘Twist of the Knife’ by Jon Sen) Of course we know that Mo wouldn’t ever harm her baby. She’s a doctor, for one thing, and she’s Mo, for another thing. Mo just wouldn’t do anything like that. And yet she almost persuaded herself that she could have hurt him, and she did it so well that she almost persuaded me. Mr T was already thinking she might have (and that’s what got Mo to doubting herself in the first place). Continue reading
(Series 19, ep. 30 ‘Gold Star’ by Ed Sellek) Well that was fun, wasn’t it? Apart from the dead patient at the end, which was extremely sad. But up until that point, it was one of those episodes packed full of one-liners and excellent comedy stuff from – well, everybody, really. There was a bit of slapstick from Zosia (did you see her whizzing off with troublesome Mr Phibbs in a wheelchair in the background of the scene where Hanssen was talking to Birdie at her bedside?), some funny business with the vending machine and Hanssen’s favourite snack, the Whippy Whirl, Sacha smiling again thanks to a relaxing shvitz (it’s like a sauna, apparently, and it certainly did Sacha a power of good), and Bernie and Ollie teasing Ric about needing naps. Continue reading
(Series 19, ep. 26) It was one of those starts-at-(almost)-the-end episodes, and the start showed a panicking Bernie, flanked by Fletch and Jasmine, busting down the door to the roof (which was locked for the first time in its history)…
What had happened to Serena? Would we find her teetering on the edge of the parapet, or already in a messy mush in the car park? Would Bernie be in time?
Flashback twelve hours, which luckily for us had been condensed to just one hour. We found Serena “stuck on some hideous merry-go-round of blame and regret.” This could be construed as a general description of AAU on a good day, but it was all about Elinor’s death and Serena’s reaction to it, particularly in her treatment of Jasmine. It was also affecting her family – she said that even loving Bernie didn’t make her feel better, and she was so horrible to and around Jason that he wanted to move back in with his old carer, Alan. “I’m officially an out-of-control monster,” Serena said. She was still unable to address any of this properly until she almost hit Jasmine and Jac was there to (magnificently) intervene. Serena was summoned to see Hanssen, who was infinitely kind and understanding and said there was almost nothing he wouldn’t do to help her. Continue reading
(Series 19, ep. 19) Unusually for me, I’m going to start with a patient storyline. I usually whizz over them as just a backdrop to the regulars’ stories, but I really loved the Darwin story about Sandy, who was terrified of surgeons. Erin Shanagher previously appeared in an episode of Casualty in which the patient story knocked my socks off, and she was equally good here. Sandy was justifiably upset, angry and fearful about the way she’d been treated as a baby, and I liked the way her story was used to highlight aspects of Jac’s and Matteo’s personalities and relationship.
It was Valentine’s Day, as if we would ever be allowed to forget. Darwin was full of (appropriately) heart-shaped balloons, courtesy of Mr T, but Jac wasn’t feeling the love as she’d dumped Matteo last week. But then how to resist a romantic Italian who presents you with a ticket to Rome? Jac had a good try, but between Matteo’s cheeky charm and a bit of business with Mo and a voice recorder, all was well that ended well. Continue reading