(Series 19, ep. 52 ‘Left Behind’ by Wendy Granditer 3.10.17) Matteo and Nina were all romantic and couply at the start of the episode. Could their happiness last for an entire 60 minutes?
Maybe it could have, if it wasn’t for AAU patient o’ the week Maxine (Kate Anthony – AKA Auntie Pam from Coronation Street). Maxine never forgot a face. She remembered that Donna had occasionally frequented her pub, and she remembered Nina’s face from… where was it now? Possibly Coronation Street, but that would have been no use to Holby, plot-wise. When Matteo was called to consult on Maxine’s case, she remembered where she’d seen Nina and Matteo before – they were the tragic couple whose son had gone missing.This made Nina suffer from blurred vision effects in theatre, which isn’t what you want in a surgeon and Ric had to be called in to finish off while she went to have a sit down. Continue reading
(Series 19, ep. 49 ‘The Man Who Sold the World’ by Joe Ainsworth 12.5.17) Zosia was really out of her depth in this episode, trying to cover for her father’s increasingly worrying behaviour. In that sense she’s more like him than she would probably want to admit – it’s the Self family way to try to cover for shortcomings and push through problems as if they don’t exist. It’s exactly how he treated her bipolar until it reached crisis point.
Crisis point in Guy’s case came during a neuro operation, when Zosia was already knuckles deep in the brain of Darwin patient o’ the week, Christian Pinnington (Jamie Maclachlan). Selfie was supposed to be doing the op himself, but he’d been drinking earlier, and was definitely not himSelf. Zosia had seen warning signs earlier and had tried to emphasise the risks of the procedure to Christian in the hopes that he would decide not to go ahead. If she’d added, “and I think the surgeon might not be entirely stable,” I think she’d have succeeded. Continue reading
(Series 19, ep. 48 ‘How Loud It Is’ by Andy Bayliss 5.9.17) My goodness, Holby City is getting more like Shakespeare every week. The sheer amount of detail in this episode – in the writing, the performances and the way it was directed – was just breathtaking.
Holby is under threat of a merger with The Mythical St James’s, and there’s a recruitment freeze.
As if this wasn’t stress enough for Hanssen, his son, Fredrik, was back. Last time we saw him, he’d been responsible for a very dodgy drugs trial, and there was a huge moral face-off in which Hanssen risked never seeing his grandson again by informing the Swedish medical authorities about it. It seems that Fredrik was acquitted in Sweden, but his “reputation is compromised.” So he’s now working at Holby City, where a compromised reputation and a frosty relationship with the CEO/your father won’t hold you back. Continue reading
(Series 19, ep. 45 ‘Calm Before the Storm’ by Katie Douglas 15.8.17) In a nutshell: Sacha found God, Nina and Matteo found each other and Selfie found Ollie’s Achilles’ heel. It doesn’t sound like a lot to fill an hour of TV, but I was gripped throughout. The hour just flew by.
Guy Self really is a brilliant baddie, and I think he’s even better this time around than he was during his first stint, because now we know what a complicated personality he really is. He’s no cartoon villain, there’s a vulnerability there which at the moment he is reigning in tightly as he reverts to his default setting of Manipulative and Devious – though would the old Selfie have become quite so flustered during surgery? Continue reading
(Series 19, ep. 40 ‘Sleep Well’ by Elliot Hope and Johanne McAndrew 11.7.17) Fran isn’t evil, or a villain, or a baddie. She’s a hurt, angry, damaged person. Jac knows this, because she’s similarly damaged. Where they differ is that Jac has dealt with all the hurt she’s suffered over the years by exercising a huge amount of self control – sometimes Jac is just held together by willpower alone. Fran is more needy and volatile. Continue reading