(Series 19, ep. 62 ‘Group Animal, Part Two’ by Andy Bayliss 7.12.17) I don’t know how I can do this brilliant, tense, suspenseful episode any justice other than to give you a blow-by-blow account of what happened. There was so much detail in it, and not a single scene was wasted or slack. Brilliant work from writer Andy Bayliss. Don’t read on unless you’ve seen the episode! Continue reading
Tag Archives: Andy Bayliss
(Series 19, ep. 48 ‘How Loud It Is’ by Andy Bayliss 5.9.17) My goodness, Holby City is getting more like Shakespeare every week. The sheer amount of detail in this episode – in the writing, the performances and the way it was directed – was just breathtaking.
Holby is under threat of a merger with The Mythical St James’s, and there’s a recruitment freeze.
As if this wasn’t stress enough for Hanssen, his son, Fredrik, was back. Last time we saw him, he’d been responsible for a very dodgy drugs trial, and there was a huge moral face-off in which Hanssen risked never seeing his grandson again by informing the Swedish medical authorities about it. It seems that Fredrik was acquitted in Sweden, but his “reputation is compromised.” So he’s now working at Holby City, where a compromised reputation and a frosty relationship with the CEO/your father won’t hold you back. Continue reading
(Series 19, ep. 19) Unusually for me, I’m going to start with a patient storyline. I usually whizz over them as just a backdrop to the regulars’ stories, but I really loved the Darwin story about Sandy, who was terrified of surgeons. Erin Shanagher previously appeared in an episode of Casualty in which the patient story knocked my socks off, and she was equally good here. Sandy was justifiably upset, angry and fearful about the way she’d been treated as a baby, and I liked the way her story was used to highlight aspects of Jac’s and Matteo’s personalities and relationship.
It was Valentine’s Day, as if we would ever be allowed to forget. Darwin was full of (appropriately) heart-shaped balloons, courtesy of Mr T, but Jac wasn’t feeling the love as she’d dumped Matteo last week. But then how to resist a romantic Italian who presents you with a ticket to Rome? Jac had a good try, but between Matteo’s cheeky charm and a bit of business with Mo and a voice recorder, all was well that ended well. Continue reading
(Series 19, ep. 18) Hanssen was back, but he wasn’t wearing the tie of authority. he was wearing the open-necked shirt of civilian life. “Avante garde for the NHS,” according to Dominic. Hanssen wasn’t there as CEO, but as a patient’s relative. His son Fredrick (William Postlethwaite – son of Pete) had been in an accident, and needed surgery.
There was a strange drug in Fredrick’s system, the fictional Oxamorol, manufactured by Lovborg, the family business now run by Fredrick. It was a magic bullet for depression, according to Fredrick. Hanssen was devastated to think that he might have passed his own depression to his son.
The truth was actually even more devastating than that. Fredrick was using himself as a guinea pig to test the drug, which had already been shown to have nasty side effects including possible and actual death. He was willing to risk his own life, but also to cover up the negative trials that had already been done. And he didn’t even have depression, dismissing Hanssen’s condition as a weakness. Continue reading
(Series 31, ep. 1) For four long weeks we’ve had to wait to find out whether Connie and Grace were going to survive their car plunging down a ravine. Nail-biting tension! But it turned out that that was just a starter tragedy, before the main course of full-on mayhem ensued.
It was the 30th anniversary of the day Charlie Fairhead first walked into Holby ED, with a bit more hair and a Bristol accent, but otherwise basically the same wise, sensible and Special person he is today. Charlie’s first day was also the first episode of Casualty, so this was a double celebration, and the episode had to be even more spectacular than the magnificent cake Noel had organised. Continue reading