(Series 23, ep. 41 by Rebecca Harrison 25.1.22) Head over to Metro for my review of this episode. But before you go…
Line of the week: (Jac) ’We stay and fight.’ (Fletch) ’I’ve got no fight left in me.’ (Jac) ’Then find it, because I need you.’
Not in front of Ange (or any woman) line of the week: (Russ) ‘About the only woman who’s worth talking to in this hospital is Jac Naylor.’
Wishful thinking line of the week: (Dominic)’I’m not here.’ (Donna) ‘Well neither am I. I’m on a beach in the Bahamas.’
I didn’t mention the Dominic/Sacha scenes in my Metro review, but they were precious. Sacha’s tie-dyed lab coat was a thing of hideous beauty.
I’m still not feeling Hanssen and Russ, but I can totally picture Hanssen as a stepfather to Billie and a granddad to her baby. He’s a lovely granddad.
Nicky’s last scene, as she looked out of the window at Amelia and Juliet outside, reminded me that we don’t get so many classic ‘window of regret’ scenes any more. Will there even be any more? *crying face*
(Series 23, ep. 38 by Isla Gray 4.1.22) Happy New Year! Please pop over to Metro to read my review of this episode.
I watched it before Christmas, so apologies in advance if my Further Thoughts are even more muddled than usual.
Jac! I am seriously worried about her.
Scrambled Simile Corner: (Eli) ‘Surgery is like riding a bike. Nobody wants to fall off, so you never forget.’ Especially if you’re an elephant. Who also does surgery. While riding a bike.
‘You’re willing to turn up looking like you got dressed in the dark’ Madge tells Ange because she has baby sick on her clothes. But then Ange turns the tables when Madge’s uniform has a stain on it: ‘Looks like you got dressed in the dark.’ She’s witty, that Ange.
But what’s with all of Madge’s scars? Is she being abused by someone?
Chat up line of the week: ‘I have a deliciously pert liver in my theatre with no one to put it in.’ Oh Russ, you charmer.
Are we feeling the Russ/Hanssen relationship? I’m not sure, but enjoying seeing how it goes.
Communicator of the Week: (Donna tackles sign language in her own special way) ‘And more signs would be a lobster – no, snail – a lobster, aaaand my personal favourite, booty call.’
Kylie puts her foot in it: (to Nicky re baby Juliet) ‘Do you think she looks more like you or more like erm…’ Erm would be the man who blew up the hospital after killing assorted people.
(Series 23, ep. 26 by Kellie Smith 28.9.21) Please have a look at my full review of this episode over at Metro. But before you do that…
It was very nice to see Evie in something that wasn’t that dreadful Pulses uniform she’s had to wear ever since she got the job. Whoever thought that putting the staff in a shirt the colour of a mattress that’s been left on a skip would induce people to buy more coffee?
Ange and Josh really are relationship goals, aren’t they? I never believed in Fletch and Ange as a couple, but I find Ange and Josh very convincing. They look at each other with such affection, it’s adorable.
Donna’s reaction to Evie is understandable – her daughter has been abused in the most awful way, so naturally she’s going to be full of anger and lashing out. I hope she’ll realise in time that Evie was as much a victim as Mia and the blame lies entirely with Jeni and the men who abused all those young women. I hope Donna doesn’t turn into a seething revenge engine like Stevie on Casualty.
I also hope that Rich gets arrested, if he’s still alive.
Alex Walkinshaw, though. He is so brilliant at evoking ‘normal bloke in abnormal situation’ emotions, isn’t he?
(Series 23, ep. 25 by Katie Douglas 21.9.21) Head over to Metro to read this week’s full review. But before you go…
Blimey! We knew that Fletch and Donna would blow up when they found out about Jeni, but that was powerful work from Alex Walkinshaw and Jaye Jacobs. I especially loved Donna’s reaction. She’s a mature mother these days and her conversations with Mia were kind, sensitive and compassionate. But when she’s angry she’s the tough scrapper that she was when she was first on Holby and Fletch (‘If you’d have bothered to parent your kid instead of making eyes at some sexual predator then none of this would have happened’) and Evie got both barrels. Heaven help Jeni if Donna gets hold of her.
Ange being sore and hormonal was realistic and quite sweet. And she seems to have found a prince of a man in young Josh. As I said in my Metro review, I hope this doesn’t mean something terrible is going to happen to him.
Line of the week: (patient Nicola) ‘Do you believe in crystals?’ (Jac) ‘I believe they exist.’
Fanboy of the week: (Jeong-Soo is thrilled to be working on Darwin with Jac) ‘I may be just a faceless drone but you’re the queen bee, so consider me pleased just to be up here.’
Brother of the week: (Dominic delivers his opinion on his new siblings) ‘Squashed up, wrinkly balls of skin. But nice ones.’
(Series 22, ep. 18 by Katie Douglas 23.6.20) Bob along to Metro to read my nice long review of this episode. But before you go…
– Did we know previously that Fletch starting his career as a car mechanic before becoming a nurse? I liked his advice to Evie that you don’t have to have your path in life all mapped out when you’re young.
– Hurrah for the helpful urologist who was only too happy to do Fletch’s op in the down-time between the end of his shift and Emmerdale. Fletch shouldn’t even have contemplated going to The Mythical St J for surgery.
– Does this mean Fletch is completely cured? Let’s hope he is, although the ‘two nurses with cancer’ storyline will have been fairly short-lived if so.
– So Kian is in Canada seeing his mum, is he? Adorable as he is, Jac is really better off without him.
– I’ve already mentioned it on Metro, but Ric’s ‘You’re gonna need a bigger bag’ comment to Louis really was a brilliant line. It was unexpected, hilarious – and heartfelt. And it makes it more likely that the little hand gesture that Thunderchild spotted last week (look at the comments under last week’s post) was deliberate.
– Jac’s ‘Are there any patients on the ward that you aren’t related to?’ comment to Nicky was also good and could probably be deployed most weeks on most wards at Holby.
– And we were treated to more Jac and Sacha scenes, which are things of great beauty and joy.
(Series 22, ep. 15 by Becky Prestwich 2.6.20) It’s back! And I’m back on Metro reviewing it so please have a look. But before you go…
– I absolutely love John Michie as Guy Self and I’m really glad they keep finding ways to bring him back. Despite everything he’s been through, despite the little mention of Zosia and his grandchild, he’s still an ego on a stick and I love that.
– I love Kian too, but as always when Jac embarks on a new romance I find myself conflicted because as far as I’m concerned Joseph is the only man for her. Though of course we wouldn’t want her to waste her life pining and waiting for Faye to get bored of him again.
– Sacha is adorable. He warmed Essie’s socks on the radiator!
– When Essie asked Fletch to come dancing with her I found myself pondering for far too long over what kind of dancing that would be. A techno rave? An American Smooth under a glitterball? A side-to-side shuffle around Essie’s handbag to Kajagoogoo at a retro disco at Albie’s?
– But I am worried about Fletch though.
– Was getting Donna to delete Zav’s message the wormiest thing that Cameron has done so far? Has the man no shame? Luckily what he lacks in shame he also lacks in knowledge of how mobile phones work.
– Hanssen’s face in response to mention of the Kardashians!
– Fraser Ayres was brilliant as Alan, Selfie’s patient. The pain and distress he was in looked absolutely real.
– Jason so often knows the right thing to say or do when people are grieving. He doesn’t overthink or second-guess how people are feeling and how they’ll respond, he just goes with what he thinks will help and it almost always does. ‘You did a beautiful, beautiful thing,’ as The Radiant Donna told him.
(Series 22, ep. 9 by Damian Mullen 26.2.20) Please feel free to visit Metro for the enjoyment of the second Holby review of the week. But before you go…
– I know we’re not supposed to like Max particularly, but she really was quite obnoxious in this episode. There were moments when I felt sympathetic towards her, but generally I just find her to be bullying, patronising and very unprofessional.
– And the playground politics on Keller was a bit tedious, too. Ben is quite a strange character. I can’t work him out.
– It was obvious that Jac and Kian would share the clinical lead job, but Jac is traditionally not a terribly collaborative person so we’ll have to see how long it lasts.
– Ange looked lovely when she was all ready for her date with Fletch. But Mamma Mia? That is my worst nightmare. Poor Fletch.
– When I saw Agency Olivia I thought she was going to be a ray of sunshine Chantelle Lane sort of person. She wasn’t. She was quite interesting though.
(Series 21, ep. 50 ‘Kintsugi’ by Martin Jameson 10.12.19) Pop over to Metro to read my review of this week’s episode. But before you do that…
– The ‘three wise men’ idea was quite sweet for a seasonal episode. There was a suspicion of tweeness about the gold, frankincense and myrrh gifts, but it was undercut by Jac’s relentless horribleness to Fletch and Sacha.
– Imagine slapping Sacha! You just couldn’t.
– I did love the Kintsugi idea of the mended thing being even more beautiful than the unbroken thing. Poor Jac has been broken and mended so many times she must be about the most beautiful thing possible now.
– Line of the week: So many to choose from, from funny lines like Fletch saying it was like Mission Impossible trying to get into the psychiatric unit and Jac saying, ‘What, you came through the ceiling?’ to Jac’s terribly sad words to Elliot: ‘Without you and without Emma who am I? No one.’ The episode was beautifully written by Martin Jameson.
– It’s a horrific situation that Chloe finds herself in – not least because now she’s got Cameron trying to work through his own guilt by stepping up to co-parent Baby Evil Evan, and she’s got Phoebe gearing up to be the clingy aunt from hell.
– If Jac is the sister Sacha never had, and Elliot is the father Jac never had, Elliot must be the father Sacha doesn’t even realise he needs.
(Series 21, ep. 48 ‘Blurring the Lines’ by Andrew Rattenbury 26.11.19) Dash over to Metro to read my proper, long review. But before you go…
– What did we all think of Fletch’s new hairstyle, then? It it ‘cool’ as Ange suggested? Or do we need to campaign to #BringBackTheQuiff?
– I was shocked by what Kian did in theatre. Shocked.
– I’m also shocked by how annoying I find Bea. Partly it’s because she calls him ‘Kee,’ and ‘Bea and Kee’ is just silly. Though it does avoid the pronunciation difficulties that some of the characters have with his name, which ranges from ‘something rhyming with Ian’ to ‘Kee-yong’ via ‘Kee-yawn.’
– Jac looked so alone at the end of the episode. Needless to say but Rosie Marcel has been acting her socks off throughout this storyline, with more to come (oh my gosh is there more to come), but I do find myself wishing her health could be left alone for a while to let her get on with ninja-level medicine and withering put-downs.
– Helen’s love for Lofty must have been accentuated by wanting to cling to him in their mutual grief. Verity Marshall has been playing Helen brilliantly – still making you feel sorry for her, but at the same time being deeply suspicious of the way she’s trying to split Dofty up.
– Did you notice that Kian got himself a hot cross bun from Pulses? That’s a very out-of-season snack! They’ll be serving mince pies in August at this rate.