(Series 33, ep. 23 by Debbie Owen 9.2.19) I’ve written a full review of this episode for Metro, so pop over and have a look. Just before you go, a couple of other things…
– If you know anything about me you’ll know I have a soft spot for anything to do with Liverpool, so it’s been lovely to have Paul Barber in these episodes as Ernest. The character was a really nice one – a rogue, used to living on his wits and his wiles, but ultimately sympathetic.
– It’s always useful to have Dylan around in moments of high emotion as curmudgeonly contrast. Maybe that’s why I couldn’t quite get on board with the Dylan/Ciara story a while back. I want Dylan to be cynical and detached, not emotionally overwrought.
– The attack on Connie at the end was truly shocking in its brutality – all the more so because we didn’t see the attacker or even see the blows land, we just saw the force that was being used by the jerking of Connie’s body.
– Louise might be feisty and occasionally bitchy, but her heart is of the finest gold. I’ve seen on social media a few people speculating that possibly it was Louise who attacked Connie. I think that anyone who could even consider that idea has been watching a different programme to the one I’ve been seeing.
– I can’t wait to find out what’s going to happen to Connie – and who dunnit (it wasn’t Louise).
(Series 21, ep. 6 ‘Force Majeure’ by Elliot Hope and Johanne McAndrew 5.2.19) For my full review, get yourself over to Metro (and peruse all the other excellent Holby City content while you’re there). But before you immerse yourself in all that, I have a few things to add.
– It seems odd that Ric is having all of these ‘cash-strapped NHS’ battles on AAU, while only a few floors above Ange can bring in her daughter as a locum CT surgeon more or less just to help her persuade one patient to have an operation. And don’t get me started on the gaudy decor and bright yellow chairs in the YAU (Yow!). Someone somewhere needs to get a grip on the finances.
– It was very amusing that everyone on AAU was putting their best face on while Ric was sort of hoping for them all to be ankles-deep in blood and vomit to show Francoise how desperate things were.
– Why was that busker out in the dark by the Raf Di Lucca Memorial Lump? It seemed very random, and a little bit dangerous for her when you think about all the shady stuff that’s gone on in that shrubbery over the years.
– The nurses apparently call Cameron ‘Camo’ because he’s nowhere to be seen. This is mostly applicable when there’s a bar bill to pay.
– Emma Curtis, who played Holly, did a really nice job of making Holly frustratingly stubborn but quite sweet and vulnerable at the same time. Her story was really sad, though imagine how many more shades of horror Holly might have had to go through if Professor Gaskell and his ‘miracle cures’ were still a thing.
(Series 33, ep. 22 by Rachel Paterson 2.2.19) There’s a proper Casualty review over at Metro, but one or two extra ponderings before you go.
– I really like the way Jan says Iain’s name in her Welsh accent, especially when she’s a bit cross with him. She did turn on him rather quickly, though, didn’t she? I suppose she was blinkered by maternal love for Nasty Ross. Charlie wasn’t fooled, though. Not only is he an excellent judge of staff, but he’s also been-there-done-that with waste of skin son Louis, so he knows a wrong ’un when he sees one.
– Michael Stevenson has been doing excellent work with what must have been a rather gruelling storyline. Iain’s speech to the DC about the drug victims he’d had to pick up in his job was really powerful.
– I think Ethan deleting Alicia’s number was just meant to be symbolic. As someone on Twitter pointed out, the next time she rings him her number will reappear on his phone again so it hasn’t gone forever, unless she never rings him again of course.
– I’m looking forward to Louise fighting the powers-that-be to protect her nurses. I love Louise when she’s having a good old righteous scowl at people.
(Series 21, ep. 5 ‘Mad As Hell’ by Martin Jameson 29.1.19) For a full review of this episode pop over to Metro. Before you go, one or two random thoughts.
– I really enjoyed the medical/political slant to this episode. The pressures on the NHS and the dedication, commitment and frustration of the staff working in it were brought out in dramatic style. Because the message was carried in the specific human stories of Gareth Gannon (who was heartbreaking – nice work from Trevor Georges), Tavia Milner’s grandmother and Denise Mullins, it didn’t feel that we were being preached to. We felt the dilemmas that Ric and co. faced right along with them.
– Hugh Quarshie is always magnificent in this kind of storyline. While Serena and Zav were taking the increasingly pressured situation with the sort of humour that I imagine real-life medics have to deploy to keep functioning, Ric had got to a point where he could no longer ignore how bad things were getting. I wonder whether Ric’s megaphone speech will ‘go viral’? Will he be an internet sensation this time next week?
– I was so sad that Frieda had to lose her dog, and was hoping that its owner would decide she could keep it after all. Hurrah for Jac coming up with a substitute. I thought it was hilarious that Emma was on board with the decision to offload Gary – she’s clearly her mother’s daughter and prioritises practicality over sentiment.
– The scene where Frieda broke down and cried about Roman (and the dog) was incredible.
– You know you’re getting old when CT surgeons start looking younger every day, but Chloe Godard does look awfully young to be a hotshot CT surgeon. And that’s in a hospital that already has ‘Foetus and Fauntleroy’ on the staff.
My full review of this episode is over at Metro as usual. Before you go, I’ve a few random thoughts to add.
– Is Iain the unluckiest man ever to drive a Casualty ambulance? I expect you’d be able to give me a list of other unlucky paramedics (dear departed Jeff springs to mind – at least Iain is still alive), but even so – the poor lad has been through it, hasn’t he? I can’t help thinking Base’s death will tip him right over the edge, because Base was Iain’s project to help himself feel better for not saving Mia.
– The scene in the farm with gunshots spraying everywhere was extremely tense. Excellent work once again from Maddy Hill, who looked absolutely terrified.
– It’s always a bit weird when a surgeon from ‘upstairs’ appears and they’ve never even been mentioned on Holby City. I know they can’t have the Holby staff dashing over to Cardiff all the time, but I can’t help thinking that Andrew Ackroyd wouldn’t last five minutes in Jac Naylor’s department. She’d demolish him.
– Ernest Maxwell and Louise are very sweet together. I like how he’s a bit of a rogue but she sees his sweet side, and he brings out the best in her. I’m very worried that it’s not going to end well, though.
– Alicia’s moved fast on the house selling, hasn’t she? She must have taken quite a shine to Manchester.
(Series 21, ep. 4 ‘A Daring Adventure Or Nothing At All’ by Isla Gray 22.1.19) For my full review of this episode head over to Metro. But a couple of things before you go…
– I felt so sorry for Frieda, because I could really believe in her and Roman as a couple. Not least because of the beautiful way she says his name. I had to google about opening the window to let his soul out, to check it was really a thing, but somehow I knew from the way she did it that it is a thing. It’s a very beautiful thing, I think. I’m glad that at least before Roman died he had a chance to show Frieda that he really was the man she’d always loved.
– Now I want to talk about the decor in the YAU (Yow!). First of all, where did the cash-strapped NHS find the money for all that etched glass and whatnot? And secondly, isn’t a bit patronising to think the young adults need surrounding with the bright colours and cartoony shapes of play school?
– And why isn’t anybody (Sacha?) kicking up a fuss about having half of Keller carved off for the YAU?
– I’m not really getting the Foetus/Fauntleroy rivalry. One minute they’re friends(ish – going to karaoke together at least), the next minute they aren’t. For Nicky it’s a bit of a replay of what she went through with Meena.
– Mia is very amusing. She talks like an adult, but in a believable way. I really like the Mia/Donna/Zav combo.
– And for anyone who would like to know more about Pathological Demand Avoidance (as seen in the Ellen/Ange storyline) there’s a useful website here.
(Series 33, ep. 20 by Rebecca Wojciechowski 19.1.19) My full review of this episode can be found over at Metro, but before you go I have a couple of things to add.
– I found myself pondering, not for the first time and probably not for the last, exactly where Holby is supposed to be these days. How far from Manchester is it? Would a long distance relationship between Holby-based Ethan and Manchester-based Alicia have been so difficult? I suppose when you factor in the long shifts etc, it might have been.
– And what did the fine hospitals of Manchester make of Connie’s conviction that Ethan going there would be ‘career suicide’? Surely there’d be an opening somewhere, with a possibility of career progression, for an experienced ED doctor?
– So many questions, but the fact remains that George Rainsford and Chelsea Halfpenny did a beautiful job with this storyline, considering that until this week I was not quite certain that they were even a proper couple. The ending was suitably tear-jerking. I was just glad that Charlie wasn’t in this episode, because Charlie saying goodbye to beloved colleagues totally does me in.