(Series 20, ep. 38 ‘One Man and His God’ by Andy Bayliss 18.9.18) I’ve written a nice long review of this episode over at Metro, but before you go to have a look here are some additional thoughts.
– The ending was just about the most twisted, terrifying thing I’ve ever seen on Holby. The idea of deliberately leaving someone in a ‘locked in’ state (especially as we knew that Roxanna’s mother had already experienced that) – well, even the most seasoned Gaskell-watcher will have been shocked at just how far his drive to succeed has pushed him.
– We’ve had murderous people on the wards of Holby before (Nurse ‘Killer’ Kelly Yorke in series 5/6; Hanssen’s son last year), but Gaskell is an entirely different kettle of fish. The scary thing about Gaskell is that he truly believes he’s only one step away from the next great medical breakthrough. He takes no pleasure in people being hurt or dying, but at the same time he views anyone who suffers during the course of his experiments to be collateral damage. The bigger picture is all he cares about.
– I loved the flashback scenes. Young Gaskell, Hanssen and Roxanna were perfectly cast and played their parts brilliantly, and Andy Bayliss’s script filled in plenty of blanks about each of them in a subtle and moving way. I also liked how the different sets of flashbacks were in the minds of each of the three older characters, so each one had a slightly different focus.
– Scenes between Hanssen and Dominic have become as precious and lovely as scenes between Jac and Sacha. It’s a similar dynamic – a closed-off, apparently cold person and someone who is expressive and emotionally open who sees them for who they really are.
– Gaskell’s last words to Roxanna – ‘forgive me’ – were chilling. I honestly doubt she’s going to be forgiving him any time soon, even if he ‘fesses up and sorts out the mess he’s left inside her head (if that’s even possible).