Tag Archives: Spooks

Spooks: Going dark for the last time

First things first. Do not read this if you haven’t already watched every second of the final (sobs) episode of Spooks. Despite my best efforts I had a thing near the end spoilered in the week and  the emotional punch was weakened as a result. (It still made me cry even harder than I already was though.)

Alright then. Into the valley of death and the vale of tears we go…

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Lustbox: Harry Pearce

As Spooks faces the final curtain on Sunday, and most of us cross our fingers for a happy ending for the top Spook and his favourite analyst, it seems
appropriate to welcome Harry Pearce and his almost-permanently clenched jaw into the PLA
Lustbox.

Spooks has given us much more conventional eye-candy over the years (Adam, Lucas and Dimitri, for example), but ten years’ exposure to Harry’s buttoned-up persona, super-dry wit and botched wooing of Ruth has left me with a soft spot for the head of Section D.

In our X Factor, look-at-me, sex-sells world, Harry’s understated, but always totally dedicated, approach shines like a  diamond in a pile of ordure.

Like my other favourite spy (Michael Westen), Harry may be the best in the intelligence business, but is undone time and again by his inability to manage his relationship with the woman he loves, Ruth Evershed.

Their relationship is like something out of a Jane Austen novel, all meaningful glances, misunderstandings, witty banter, brief touches of hands, bad timing and other people’s problems getting in the way. (Although as I recall, there weren’t quite so many dirty bombs and terrorists in Pride and Prejudice.)

I love the fact that the Harry and Ruth relationship has grown from the genuine affection and chemistry between Peter Firth and Nicola Walker. You really should hear the two of them talking on Radio 4 Extra while you can. Not only is it a lovely interview, it’s a chance to wallow in Peter’s wonderful voice too.

Now imagine that voice reading out these lines (just some of Harry’s greatest hits):

HOME SECRETARY: You know, back in my days as a student radical, our dreams were all about the glorious proletariat.
HARRY: We’ve still got those dreams on file somewhere.
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JOHN RUSSELL: What aren’t you telling me, Harry?
HARRY: John, I’ve been up all night, my psychic powers are at a low ebb. Please elaborate.
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FERNANDO TORRES: La vida no vale nada, as they say.
HARRY: Not an expression we hear very much around these parts, but then again we did have rather more success in seeing off the Spanish than you.
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HARRY: Did I not say to shut that bloody journalist up? We’re supposed to be MI-5, not the Stoke Newington branch of the Green Party.
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HARRY: I’m aware I have not played nicely with the other children.
HOME SECRETARY: Would it have killed you to pick up a golf club every once in a while?
HARRY: It may well have done, yes.
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DIMITRI: How was your, er, um, break?
HARRY: In one particularly dark moment I actually considered gardening.
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Farewell then Harry. All that remains is to keep our fingers crossed that he and Ruth get a good ending. For the rest of us, well, there’s always the boxed sets to fall back on…
Posted by Jo the Hat

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Spooks: Not again

(Series 10, Ep.2) More twists and turns than a twisty turny thing. More suspense than the fingernails can bear. Excitement. Betrayal. Doomed romance. Fake suicide. Sudden death.

In other words, a top notch Spooks episode (and please don’t read any further if you haven’t seen it yet). It started with Calum (I still don’t trust him) having a laptop stolen. Despite Tariq’s genius with encryption, it didn’t take the thieves long to start opening the files, and popping the contents on to the internet. The contents being names of some of MI5′s top assets, this was bad news indeed. Asset number one was killed before Dmitri could get to him, and Dmitri was given the task of making the murder scene look like a suicide. He went at this with scary efficiency, though he did have the grace to look troubled by the task.  Continue reading

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Spooks: In one particularly dark moment, I actually considered gardening

(Series 10, Ep.1) In the post Lucas North era, it’s clear that this final series of Spooks is going to focus on Harry Pearce. This is only right and proper – having made it through nine whole seasons, watching his colleagues dropping like flies in varied and nasty ways, he deserves to take centre stage.

He’s currently on probation. Having sailed rather close to the wind with the whole Albany/Lucas North business, he’s not entirely trusted by the Powers That Be. They might not trust him, but they do need him, so he’s sent back to the Grid on the strict understanding that an eye is being kept on him, he is not to put a foot wrong, and other body-part metaphors.

While he’s been away, his seat has been kept warm by one Erin Watts (Lara Pulver). I say “warm,” but Lara is one of the ice cold type of females that Section D routinely employs, all cheekbones and stiff upper lip. Dmitri thinks he knows the type. She’ll be going home to a solo dinner of steamed fish and an evening of ab crunches, he predicts. He’s wrong, though – when she goes home we find she’s the single parent of an adorable little daughter. Clearly Lara isn’t as ice cold as we thought, and presumably her mummyhood will be upsettingly exploited later in the series.
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Kick ass woman: Anna Chancellor

Fans of the BBC drama, The Hour, are spoilt for choice in terms of top-notch acting. It marks the moment Dominic West has finally broken free of The Wire (it was the same with Idris Elba in The Big C – I think they both needed an interim ‘rebound’ part to help get me past the brain-searingly strong characterisations of McNulty and Stringer Bell).

I’m loving the general aesthetic of The Hour, as well as watching the beautiful Romola Garai in action. But my favourite character is the excellently named Lix Storm, played by Anna Chancellor. You may know her from that Boddington’s advert, or as Donna Lathaby in Tipping the Velvet (described as ‘amoral, capricious and predatory’, someone who introduces another, Nan, into a world of ‘luxury and debauchery’ – which is pretty much a description of my favourite kind of woman). She was a superb as the snooty bitch, Caroline Bingley in Pride and Prejudice and is preposterously famous (because she’s so attractive) for being Duckface in Four Weddings and a Funeral.

But she’s a legend in her own trousers in The Hour. The character of Lix Storm is that of a rare (especially for its time) female war correspondent. Apparently tough as boots, she has a sharp sardonic wit, one suspects, a cupboard full of messed-upness masked by a heavy whisky and Gauloises habit. But spot-on in her judgement in terms of news. And very cool, smart and beautiful.

Other kick ass women posts here.

Posted by Inkface

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The Spies Who Went Into The Cold – No More Spooks

As reported by various news sources today, the tenth series of Spooks to be shown this Autumn will be the last.

Because Jo The Hat would kill me if I didn't use a picture of Richard Armitage

The decision was rather unusually taken by the programme makers Kudos rather than by the BBC, on the grounds that they wanted to stop the show whilst it was still “in its prime”. Anybody who watched the most recent season may choose to strongly disagree with this statement, but still.

Despite its dip in form of late, Spooks can easily claim to be one of the most consistently brilliant dramas of the past ten years. This was due to a number of factors. Firstly, its excellent writing. Secondly, its often shocking plots. It speaks volumes that Spooks became something of a victim of its own success in this sense – you ended up expecting the unexpected, which when it happened became, er, totally expected. But the impact of killing one of its major characters in only  the first series without any warning is more than most serial dramas ever manage. Although I doubt deep-fat fryer manufacturers were quite so welcoming of this turn of events.  Continue reading

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Lustbox: Keeley Hawes

Ah, Christmas. Despite my very best attempts to be a Good (Velocity) Girl this year, in return Santa’s Sack contained a broken speedometer and a chest infection. Thanks for that, Father Christmas – you really shouldn’t have! No, really. You shouldn’t have.

However, our old pal FC did at least partly redeem himself on Boxing Day, by providing your intrepid correspondent with the opportunity to drool ov- I mean ardently admire the acting performance of Keeley Hawes in the BBC remake of Upstairs Downstairs.

Upstairs? Downstairs? Anywhere you like, really...

Hawes has pretty much cornered the market in Dramas of all Periods – Our Mutual Friend, Wives and Daughters, Tipping The Velvet, Marple, Ashes to Ashes etc. Plus she’s done Shakespeare (she was a truly moving miscarrying Lady Macbeth in the ShakespeaRe-Told series on the Beeb a while back and was also very good indeed in the not-dreadfully-sympathetic role of Desdemona in ITV’s Othello) and Chaucer (again in the Beeb’s modern adaptations). And she also played probably the most sympathetic female role to date in Spooks (yes I know Ros was fab but she was also terrifying), bringing a touching vulnerability as an agent ultimately done in by having to continually choose Duty over Love. And whilst her struggle with the badly-underwritten role of Alex in Ashes to Ashes was all too plain to see in its first series, the way in which she went on to make the part into something that managed to be both strong and moving was impressive.

Having been at times written off as yet another Kate Winslet/Emma Thompson/Emilia Fox/Emily Mortimer/Keira Knightley etc English Rose, the fact that Hawes is almost continually in high-quality work such as Upstairs Downstairs surely speaks for itself. She’s not adverse to sending herself up either, as her turn in That Mitchell And Webb Look proved. And if that wasn’t enough, she’s even the face of Boots No. 7 make-up and the voice of Lara Croft. Carlsberg don’t make women, but if they did….

Posted by Velocity Girl

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